So, awards season. It’s here. Wait, I mean, it’s been here and I’m just very late. Very, very late. How about I not waste any time and just get down to the point, which in this case would be my favorite looks of the 2015 Awards Season. This mostly revolves around hair and makeup, but there were two irresistible dresses that I’ll get to.
Keira Knightley, once again, proves to be my number one makeup inspiration (alongside Kristen Stewart). I am always impressed and delighted by however subtle or dramatic, feminine or cutting edge, new or same-ole’ her makeup is. I am never disappointed. The look above from this season’s Golden Globes is almost exactly what I go for when I do bridal makeup, and then work forward if the bride is looking for something more specific. It’s just a classic, beautiful look. I spoke to KK’s makeup artist Kate Lee on Instagram (!!!), and while she credited Chanel’s Les 4 Ombres Multi-Effect Quadra in Tisse Gabrielle for Keira’s eye makeup, she let me know that you’ll want to mix in their Lumieres’ Facettes Quadra in Quadrille as well to create a more violet tone. Luckily, I own the Tisse Gabrielle, so I’ve been playing around with mixing in some of my purplish MAC shades like Sketch for a similar look. I’ve always said that if I were ever to have the opportunity to have a celebrity makeup artist play with my face, Kate would be my very first choice. Every little thing she does is magic!
Not much eye makeup. A matte-ish, more-tangerine-than-red lip. Shineless waves, and an asymmetrical cut. When dissected, so much about Rosamund Pike’s look at this year’s SAG Awards was unconventional and off-ish for the red carpet, and that’s why I loved it. No giant false eyelashes (maybe none at all?), no obvious slick of lip gloss reflecting so much light it could blind you, and a disheveled hair texture that felt different as opposed to all the perfect, 1940s Hollywood waves we typically see at these events. Seriously, who wants Pantene commercial hair any more?! Not me! Pair it all with that Dior Couture gown and you’ve got a look that I would literally wear myself, from the haircut down to the shoes.
One of the fun things about social media is you see a certain celebrity you love on the red carpet, and then they tag all of the people responsible for their look that night and you follow the tags down this rabbit hole of amazingness that enables you to discover exactly who is cutting whose hair, who is always doing whose makeup, and who is styling whose dresses. George Northwood cuts Rosie Huntington-Whiteley’s hair, Nick Barose is always Lupita’s makeup artist, and Tracy Cunningham is the hair colorist of all Hollywood everyone ever.
There are certain dream teams, however, that seem to come together for one special celebrity for every important appearance of theirs. In this case, it’s the team of hairstylist Mara Roszak, makeup artist Rachel Goodwin, and stylist Petra Flannery that have managed to create moments of pure yes for the beautiful Emma Stone on a regular basis. This year’s SAG Awards were no exception. I’m apparently have a moment of affinity for Dior Couture (which is not usually the case), so it’s good to finally feel that I can relate to the fashion house which I’ve had a hard time with in the past. I tend to leave all the Dior for Marion Cotillard, and I’ve trusted it with no one else. However, Emma’s turn in black, sheer tuxedo-inspired Dior Couture gave me a case of the Honey Boo Boos, and I’m giving major virtual high-fives to Emma’s dream team here.
And let me just mention that I have never wanted to be a redhead so badly in my life. The funny thing about this kind of “red” hair is that it’s not actually an authentic red; it’s more of a brown-bronze that’s richer, more sophisticated, and more flattering than a fiery red (which Byrdie.com has so eagerly dubbed “ronze”). But beyond the hair color (pulled artfully back into a sleek, modern ponytail), it’s also the glossy lids, the perfect shade of red on the lips, the amazing lashes, the #flawless brows, and the unique ear cuff that make for those special details that turn a great dress on a pretty person into A) an entire look that I’d wear from head to toe and B) something that will be talked about in the fashion world for months and months to come. Congrats guys, it’s perfect!
And finally, we come to the one singular dress from the Golden Globes that really stole my heart and haters can SHOVE IT. A couple things here: A) If you wear Mary Katrantzou on the red carpet I automatically love you forever. B) This dress reminds me of Princess Aurora’s classic silhouette, which might be one of the reasons why I love it so much. C) That shade of mauve-ish purply pink is gorgeous. D) Again, I’m all about the weird little details with that box clutch, the dark nails, the matching pink lips, and the shoes that don’t really match at all or make any sense. Some have said that Kerry’s looking like “a very bold Easter basket” here, but I am almost always impressed and excited by Kerry’s uncanny red carpet choices as opposed to the same body-con piles of blah that we see all the time. Take a risk, people! It may not always pay off, but I will at least have a lot more fun looking at you on Instagram.
Questions? Comments? Bricks to throw? Bring it! But I’m tired now. That’s all. xo, MR