Best of the 2019 Golden Globes

Besides the smattering of celeb appearances that have already occurred this week – the Palm Springs Film Festival, Art of Elysium Gala, and BAFTA LA tea party – the Globes are kind of the first real REAL “back to work” moment for a lot of celeb hair/makeup artists and stylists. And I’m always keeping closer tabs on them than the celebs they work on, so cheers to a great 2019 for all the glam teams! Bang up job as always.

I’ll admit I’ve seen pretty much zero of the films and shows nominated for tonight’s awards (well, two movies and two TV shows to be exact) so in case you need any reminders, I am here for the red carpet. Here we go!

1. Anne Hathaway in Elie Saab

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This was just fun to me. The print, the length- and there’s a high slit up the front that makes it super fun! And I love Anne back in a long-term relationship with her long hair. It made me sort of sad that she went through her whole special Les Misérables awards season with her short hair, but oh well- no short hair, no face-melting Fantine moment to earn an Oscar. But here we are now, doing Miranda Priestly very proud I’m sure. Makeup by Beau Nelson, hair by Lacy Redway.

2. Rosamund Pike in Givenchy

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Rosamund’s grandma can officially *not* give her grief for going out without a jacket. She took a jacket with her, Grandma. She’s fine (though her hair may or may not be wet- the other reason grandmas cite as responsible for an early death). Also, love a severe look with severe brows and a severe center part. All about that. Well done. Hair by Bryce Scarlett, makeup by Mélanie Inglessis.

3. Constance Wu in Vera Wang

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So unexpected! Love the nude/orange combination. I anticipate seriously great things from Constance and her team this whole awards season. The whole cast of Crazy Rich Asians, I’m sure, will knock it out of the park (I mean, Michelle Yeoh? Please. Been obsessed since Memoirs of a Geisha). The CRA press and premiere circuits were dazzling just like the film, and I imagine there will be more looks that give a nod and a wink to the movie’s over-the-time opulence. Bring it. Makeup by Molly Greenwald, hair by Marissa Marino.

4. Rachel Weisz in Céline

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At first glance the dress was not my fave (and it’s now the controversial Hedi Slimane at the helm for Céline, who’s managed to justifiably raise some eyebrows with his new … “interpretation” of the brand), but it’s always in the details for me. The delicate Cartier art deco choker, the deep chocolate hair, the strong brow, the blotted lip- the dress brings the little details together in a way that makes sense. Also, it’s really hard to make Rachel Weisz look bad. Hair by Kevin Ryan, makeup unknown.

5. Danai Gurira in Rodarte

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And now for something completely different. I’ve been watching Planet Earth II and I can’t help but be reminded of all the electric-hued tropical birds we see in the jungle when I behold color and texture like this. Or Danai looks like she could jump in the ocean and turn into some sort of beautiful fish. And I loved the contrast of her red-orange with Lupita’s cobalt blue gown. You know I gotta say it … Wakanda forever! Makeup by Tym Buacharern, hair by Larry Sims.

6. Charlize Theron in Dior

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I mean, duh. I promise my inclusion of Charlize on all my lists is never obligatory. I really, truly look forward to her looks probably the most consistently out of anyone (besides Jennifer Connelly, who we barely see these days anyhow). Charlize is such a giant golden goddess Olympian statue that basically anything – avant gardé, classic, glamorous – is executed with perfect ease by herself and her team. I’ve yet to see anything on her (and granted, it’s mostly been Dior) that’s left a bad taste in my mouth. If anything, I’ve felt that her team could perhaps just push the envelope with her a bit (and again, that would probably mean stepping out of the Dior contract). But anyhow, all that to say, yes, I love Charlize’s look. Again. Hair by Adir Abergel, makeup by Kate Lee.

There were so many other gorgeous looks, but I was missing the Margot Robbie magic tonight. Surely we’ll see her soon. Let me know your faves! xo, MR

 

Photo credits in order: Matt Baron/BEI/Shutterstock, Jon Kapoloff/Getty Images, Jon Kapoloff/Getty Images, REX/Shutterstock, Shutterstock, Frazer Harrison/Getty Images

Best of the Awards Season 2015

So, awards season.  It’s here.  Wait, I mean, it’s been here and I’m just very late.  Very, very late.  How about I not waste any time and just get down to the point, which in this case would be my favorite looks of the 2015 Awards Season.  This mostly revolves around hair and makeup, but there were two irresistible dresses that I’ll get to.

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Keira Knightley, once again, proves to be my number one makeup inspiration (alongside Kristen Stewart).  I am always impressed and delighted by however subtle or dramatic, feminine or cutting edge, new or same-ole’ her makeup is.  I am never disappointed.  The look above from this season’s Golden Globes is almost exactly what I go for when I do bridal makeup, and then work forward if the bride is looking for something more specific.  It’s just a classic, beautiful look.  I spoke to KK’s makeup artist Kate Lee on Instagram (!!!), and while she credited Chanel’s Les 4 Ombres Multi-Effect Quadra in Tisse Gabrielle for Keira’s eye makeup, she let me know that you’ll want to mix in their Lumieres’ Facettes Quadra in Quadrille as well to create a more violet tone.  Luckily, I own the Tisse Gabrielle, so I’ve been playing around with mixing in some of my purplish MAC shades like Sketch for a similar look.  I’ve always said that if I were ever to have the opportunity to have a celebrity makeup artist play with my face, Kate would be my very first choice.  Every little thing she does is magic!

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Not much eye makeup.  A matte-ish, more-tangerine-than-red lip.  Shineless waves, and an asymmetrical cut.  When dissected, so much about Rosamund Pike’s look at this year’s SAG Awards was unconventional and off-ish for the red carpet, and that’s why I loved it.  No giant false eyelashes (maybe none at all?), no obvious slick of lip gloss reflecting so much light it could blind you, and a disheveled hair texture that felt different as opposed to all the perfect, 1940s Hollywood waves we typically see at these events.  Seriously, who wants Pantene commercial hair any more?!  Not me!  Pair it all with that Dior Couture gown and you’ve got a look that I would literally wear myself, from the haircut down to the shoes.

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One of the fun things about social media is you see a certain celebrity you love on the red carpet, and then they tag all of the people responsible for their look that night and you follow the tags down this rabbit hole of amazingness that enables you to discover exactly who is cutting whose hair, who is always doing whose makeup, and who is styling whose dresses.  George Northwood cuts Rosie Huntington-Whiteley’s hair, Nick Barose is always Lupita’s makeup artist, and Tracy Cunningham is the hair colorist of all Hollywood everyone ever.

There are certain dream teams, however, that seem to come together for one special celebrity for every important appearance of theirs.  In this case, it’s the team of hairstylist Mara Roszak, makeup artist Rachel Goodwin, and stylist Petra Flannery that have managed to create moments of pure yes for the beautiful Emma Stone on a regular basis.  This year’s SAG Awards were no exception.  I’m apparently have a moment of affinity for Dior Couture (which is not usually the case), so it’s good to finally feel that I can relate to the fashion house which I’ve had a hard time with in the past.  I tend to leave all the Dior for Marion Cotillard, and I’ve trusted it with no one else.  However, Emma’s turn in black, sheer tuxedo-inspired Dior Couture gave me a case of the Honey Boo Boos,  and I’m giving major virtual high-fives to Emma’s dream team here.

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And let me just mention that I have never wanted to be a redhead so badly in my life.  The funny thing about this kind of “red” hair is that it’s not actually an authentic red; it’s more of a brown-bronze that’s richer, more sophisticated, and more flattering than a fiery red (which Byrdie.com has so eagerly dubbed “ronze”).  But beyond the hair color (pulled artfully back into a sleek, modern ponytail), it’s also the glossy lids, the perfect shade of red on the lips, the amazing lashes, the #flawless brows, and the unique ear cuff that make for those special details that turn a great dress on a pretty person into A) an entire look that I’d wear from head to toe and B) something that will be talked about in the fashion world for months and months to come.  Congrats guys, it’s perfect!

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And finally, we come to the one singular dress from the Golden Globes that really stole my heart and haters can SHOVE IT.  A couple things here:  A) If you wear Mary Katrantzou on the red carpet I automatically love you forever.  B) This dress reminds me of Princess Aurora’s classic silhouette, which might be one of the reasons why I love it so much.  C) That shade of mauve-ish purply pink is gorgeous.  D) Again, I’m all about the weird little details with that box clutch, the dark nails, the matching pink lips, and the shoes that don’t really match at all or make any sense.  Some have said that Kerry’s looking like “a very bold Easter basket” here, but I am almost always impressed and excited by Kerry’s uncanny red carpet choices as opposed to the same body-con piles of blah that we see all the time.  Take a risk, people!  It may not always pay off, but I will at least have a lot more fun looking at you on Instagram.

Questions?  Comments?  Bricks to throw?  Bring it!  But I’m tired now.  That’s all.  xo, MR