Will Blog For Eyeshadow

It’s been a while, but that’s okay. Busyness and work leave little time for blogging. However, my eyes are never too busy to miss the awesomeness that shows up on the red carpet in the form of seriously bonkers eyeshadow. I mean it people- this holiday season, PLEASE stay away from the neutral tones. If it’s Christmas and I see you wearing basic eyeshadow, I might get mad. ‘Tis the season to be purple. At the very least.

Let’s take a tour of possibilities, all of which have occurred within the last two months.

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Dark, navy eyeshadow is my fave. I mean it. If I could do my wedding all over again, I’d wear a mermaid silhouette and do a smoky navy eye. My preference is a matte finish over a sparkly one, but who cares. You can thank Carol Gonzalez for this magnificent job well done on Kerry Washington. My guess is she used a Pat McGrath Labs palette.

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I feel like the only eyeshadow color we see less than green is canary yellow. Yellow – not gold – is so under-appreciated! Pati Dubroff created this look on Margot Robbie using a couple MAC products, including Chromaline gel/cream shadow in Primary Yellow. I love that it’s applied all the way up to Margot’s brow for a really modern take.

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Jennifer Connelly is another example of the wonders of blue eyeshadow. It’s not just for pageant girls, people! And it comes in an infinite variety of tones. Kay Montano used a  silvery-but-vivid blue on Jennifer’s inner eyelids here, with what look like purple tones on the outer lid and around the rim. I love how her nearly blue-black hair makes the blue shadow stand out even more, especially with the dress. Coupled with the brows and everything else left bare, we’ve got perfection.

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Winged eyeshadow! Nothing says, “My allegiance lies with Imperator Furiosa” quite like winged, black eyeshadow. This is one of my favorite likes to try and recreate on myself, personally. I love looks that feel strong and ferocious like this, especially when paired with sleek hair. Jillian Dempsey has consistently turned out a killer smoky eye, typically on Kristen Stewart. This turned out perfectly; the blending is smooth as a milkshake.

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And because you know smoky eyes are pretty much my kryptonite … here’s another one! Georgie Eisdell managed to pull off what’s probably the most flawless version of the iconic look I’ve ever seen. I mean, ever. This is the makeup I’d die in. There’s such an incredible depth to Elizabeth’s shadow, with what could be four different shades used. Georgie used exclusively Chanel products to create this look. She doesn’t name which eyeshadow palette it is, and it might be one that hasn’t come on the market yet. Nevertheless, I’ve been searching like a crazy person.

What do you plan to do this year for holiday makeup? Any palettes or products you plan to try? Let me know in the comments! xo, MR

 

Photo credits by order of appearance and all are user Instagram handles: @carolagmakeup, @patidubroff, @kaymontano, @jilliandempsey, @georgieeisdell

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Best Of The 2017 Golden Globes

I’m not sure there could be a better way to kick off a new season of writing after a couple months’ break than the Golden Globes.  After the social media and newsfeed tumult that was 2016, it’s nice to have a bit of fun with good ole’ awards season and a brand new year to go with it.  It’s like hitting the refresh button and everything coming up glitter.

If I had to describe this year’s Golden Globes red carpet in one word it would be finally!  Finally!  I think this is the first red carpet I’ve encountered in years when I saw consistent risk-taking and some truly incredible head-to-toe styling across the board.  Honestly, most everyone looked great in one way or another.  Even the guys were catching my interest!  Donald Glover in that velvet brown suit with the purplish bowtie?!  In the words of Lando Calrissian, hello what have we here.  Of course there were a couple looks that had me wrinkling my nose, but maybe only a handful.  Overall, the stylists and glamsquads killed it this evening!

Before I list my favorites, try to remember once again that I’m not just considering the dresses- I take into account the hair, the makeup, the jewelry, and the accessories as a whole package along with the dress.  Some “weirder” dresses were made perfect to me by the overall styling pulling it together, while other looks were thrown off for me by maybe just one thing like a necklace.

Alright, enough with that.  Here we go!

Best Newcomer That You’ll Continue To See Forever – Ruth Negga in Louis Vuitton

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Ruth Negga has that gamine kind of look that feels like she’s just stepped out of a chic Parisian nightclub in the 1920s.  Her finger-waved hair and gown that reminds me of the Maschinenmensch in Metropolis are adding quite a bit to that vintage vibe, but this look is giving me Wonder Woman feels too (especially with that cuff she’s wearing).  Considering that Ruth is currently on the cover of Vogue and she’ll probably land an Oscar nomination for Loving, I have a feeling she’s about to experience the kind of meteoric rise to fame like Lupita Nyong’O a couple years ago and we’ll be seeing a lot more of her.  This Louis Vuitton gown is not a bad way to start.

Best Throwback To A Bygone Era – Natalie Portman in Prada

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To say this look is “1960s inspired” would be the understatement of the evening.  This is the 1960s; this whole look could’ve come straight off the set of Mad Men or straight out of Jackie O’s closet.  It’s getting a lot of flack on social media, but I love it.  Natalie’s hair is perfect, and the jewelry and makeup and chrome clutch merely adorn the gown rather than distract from it.  I was pleased to see Natalie wearing Prada as we’re so used to seeing her in Dior.  Prada is a little more playful and colorful, but there’s still something understated and regal about this gown (probably because we know who it pays tribute to).

Best Hard-To-Screw-Up Formula – Brie Larson in Rodarte

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A glamorous shade of red.  Shiny, old Hollywood waves.  An incredible, always-flattering sweetheart neckline.  There’s little to be done wrong with a look like this, and I’m learning to appreciate the whole “If it ain’t broke don’t fix it” philosophy when it comes to style.  I knew this gown was Rodarte as soon as I noticed the signature crystals on the bodice, and while it’s not the biggest risk of the evening, who cares?  Brie looks like a Valentine come to life!  This would be a beautiful gown on anyone, but Brie wears it like a dream.

SECOND Best Throwback To A Bygone Era – Drew Barrymore in Monique Lhullier

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I think the history buff in me was going crazy tonight because I felt like so many gowns referred back to various decades in twentieth century America.  Something I love!  Ruth’s touched on the 1920s, Natalie’s embodied the 1960s, and Drew’s gorgeous dress here is a beautiful throwback to the 1930s.  Moreover, any gown that gets me thinking of art deco and architecture in general is a winner in my book.  Check out those sleeves!  There’s also a closeup shot of Drew’s makeup floating around social media and it is glorious.  I might’ve done something different with Drew’s hair; the dress seems to be calling for something that pulls her hair away from her face.  But you know, it looks so healthy and lovely on its own that I don’t care!

Best Weird Dress Completely Redeemed By Perfect Styling – Kerry Washington in Dolce & Gabbana

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Like I’ve said, I like weird dresses that may initially have you going ohhh honey noooooo (or at least scratching your head wondering if you hate it or if it’s magnificent).  However, it’s typically the hair and makeup that rounds out the weirdness of the dress into something I love.  Kerry is good at this- she and her team frequently choose “bad” or “weird” dresses that are then styled into something magical because of a tweak here and there, the right manicure, and an excellent glamsquad.

This is the perfect example.  This Dolce & Gabbana dress is actually floor length on the runway, but the proportions make more sense when the skirt is shortened.  Thanks to strappy sandals and see-through lace, this dress actually elongates Kerry when a floor length dress with capsleeves typically shortens the one wearing it.  The bodice and sleeves are very ornate and complicated, but when you pair it with perfectly smooth, dark hair tossed behind the shoulders, the look seems balanced.  A nude manicure and a complete lack of jewelry aside from a simple pair of earrings allows the elaborately detailed gown to show off without being too much on Kerry.  Top it off with the perfect, purply-brown lip color and she is wearing the dress, not vice versa.  And suddenly, a dress that would normally have me giving the side eye has me ooh-ing and aah-ing.  That’s what stylists do!

Let me know your thoughts!  Any folks you thought looked absolutely stunning?  Any dresses have you dazed and confused?  Do tell, and next stop- the SAG Awards!  xo, MR

 

Photo credits in order of appearance:  Jordan Strauss for Invision via Associated Press, Getty Images, Rex via Shutterstock, Rob Latour for Rex via Shutterstock, Steve Granitz for WireImage

Best of the Awards Season 2015

So, awards season.  It’s here.  Wait, I mean, it’s been here and I’m just very late.  Very, very late.  How about I not waste any time and just get down to the point, which in this case would be my favorite looks of the 2015 Awards Season.  This mostly revolves around hair and makeup, but there were two irresistible dresses that I’ll get to.

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Keira Knightley, once again, proves to be my number one makeup inspiration (alongside Kristen Stewart).  I am always impressed and delighted by however subtle or dramatic, feminine or cutting edge, new or same-ole’ her makeup is.  I am never disappointed.  The look above from this season’s Golden Globes is almost exactly what I go for when I do bridal makeup, and then work forward if the bride is looking for something more specific.  It’s just a classic, beautiful look.  I spoke to KK’s makeup artist Kate Lee on Instagram (!!!), and while she credited Chanel’s Les 4 Ombres Multi-Effect Quadra in Tisse Gabrielle for Keira’s eye makeup, she let me know that you’ll want to mix in their Lumieres’ Facettes Quadra in Quadrille as well to create a more violet tone.  Luckily, I own the Tisse Gabrielle, so I’ve been playing around with mixing in some of my purplish MAC shades like Sketch for a similar look.  I’ve always said that if I were ever to have the opportunity to have a celebrity makeup artist play with my face, Kate would be my very first choice.  Every little thing she does is magic!

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Not much eye makeup.  A matte-ish, more-tangerine-than-red lip.  Shineless waves, and an asymmetrical cut.  When dissected, so much about Rosamund Pike’s look at this year’s SAG Awards was unconventional and off-ish for the red carpet, and that’s why I loved it.  No giant false eyelashes (maybe none at all?), no obvious slick of lip gloss reflecting so much light it could blind you, and a disheveled hair texture that felt different as opposed to all the perfect, 1940s Hollywood waves we typically see at these events.  Seriously, who wants Pantene commercial hair any more?!  Not me!  Pair it all with that Dior Couture gown and you’ve got a look that I would literally wear myself, from the haircut down to the shoes.

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One of the fun things about social media is you see a certain celebrity you love on the red carpet, and then they tag all of the people responsible for their look that night and you follow the tags down this rabbit hole of amazingness that enables you to discover exactly who is cutting whose hair, who is always doing whose makeup, and who is styling whose dresses.  George Northwood cuts Rosie Huntington-Whiteley’s hair, Nick Barose is always Lupita’s makeup artist, and Tracy Cunningham is the hair colorist of all Hollywood everyone ever.

There are certain dream teams, however, that seem to come together for one special celebrity for every important appearance of theirs.  In this case, it’s the team of hairstylist Mara Roszak, makeup artist Rachel Goodwin, and stylist Petra Flannery that have managed to create moments of pure yes for the beautiful Emma Stone on a regular basis.  This year’s SAG Awards were no exception.  I’m apparently have a moment of affinity for Dior Couture (which is not usually the case), so it’s good to finally feel that I can relate to the fashion house which I’ve had a hard time with in the past.  I tend to leave all the Dior for Marion Cotillard, and I’ve trusted it with no one else.  However, Emma’s turn in black, sheer tuxedo-inspired Dior Couture gave me a case of the Honey Boo Boos,  and I’m giving major virtual high-fives to Emma’s dream team here.

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And let me just mention that I have never wanted to be a redhead so badly in my life.  The funny thing about this kind of “red” hair is that it’s not actually an authentic red; it’s more of a brown-bronze that’s richer, more sophisticated, and more flattering than a fiery red (which Byrdie.com has so eagerly dubbed “ronze”).  But beyond the hair color (pulled artfully back into a sleek, modern ponytail), it’s also the glossy lids, the perfect shade of red on the lips, the amazing lashes, the #flawless brows, and the unique ear cuff that make for those special details that turn a great dress on a pretty person into A) an entire look that I’d wear from head to toe and B) something that will be talked about in the fashion world for months and months to come.  Congrats guys, it’s perfect!

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And finally, we come to the one singular dress from the Golden Globes that really stole my heart and haters can SHOVE IT.  A couple things here:  A) If you wear Mary Katrantzou on the red carpet I automatically love you forever.  B) This dress reminds me of Princess Aurora’s classic silhouette, which might be one of the reasons why I love it so much.  C) That shade of mauve-ish purply pink is gorgeous.  D) Again, I’m all about the weird little details with that box clutch, the dark nails, the matching pink lips, and the shoes that don’t really match at all or make any sense.  Some have said that Kerry’s looking like “a very bold Easter basket” here, but I am almost always impressed and excited by Kerry’s uncanny red carpet choices as opposed to the same body-con piles of blah that we see all the time.  Take a risk, people!  It may not always pay off, but I will at least have a lot more fun looking at you on Instagram.

Questions?  Comments?  Bricks to throw?  Bring it!  But I’m tired now.  That’s all.  xo, MR