Best Of The 2018 Golden Globes

Wooooooo!

New year, new red carpet. I’d barely realized until just this week that awards season is upon us, and it’s definitely bringing a little sunshine into my single-digits-temp world these days.

Before I share my favorites, it’s worth making note that the fashion choices at this year’s Golden Globes have been unilaterally affected by the Time’s Up movement, which seeks to bring awareness of and legal protections for women dealing with sexual assault, harassment, and inequality in the workplace.  Time’s Up is meant to be a unified call to action stemming primarily from women in the entertainment industry, for women everywhere. In solidarity with Time’s Up, this year’s attenders of the Golden Globes elected to wear black. So all of that to say, this particular red carpet featured absolutely no color (at least as far as I saw in all my research) and that’s no mistake! I’ve not found a single photo of someone wearing anything other than black.

Alright, now that we’ve got that down, on to my picks …

Zoe Kravitz in YSL

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Like you’ve heard me say before, it’s all in the styling. Zoe’s pixie cut is giving me Josephine Baker vibes, and the Lorraine Schwartz deco-cut emeralds are stunning. They make me think of Minas Morgul – an odd association, I know. But what can I say? I’m a Lord of the Rings fan and its images are floating through my brain. I love Zoe’s red lip paired with her enviable beauty mark, as well. It’s all giving me retro feels, and you know I’m a sucker for anything pre-1970s.

Margot Robbie in Gucci

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I really, really love this dress. Even with the plunging neckline it’s still modest enough for my personal taste with the exaggerated shoulders and all that. And those sequin appliqués are dreamy. Alessandro Michele, the creative director at Gucci, has been consistently knocking it out of the park at the luxury powerhouse since taking the helm in 2015 with his whimsical and glittery creations (unicorns! so many colors! sequins and butterflies and flowers ALL the time!). Margot seems to share a special relationship with Gucci, so we can always trust that she’ll turn up in one of Alessandro’s designs looking beautiful. And of course, I always enjoy Pati Dubroff’s makeup choices for Margot, though as I’ve said it is kind of hard to make her look bad.

Tracee Ellis Ross in Marc Jacobs

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I love Tracee’s styling because she makes selections that are a bit off-beat, and there’s usually a nod to her black heritage or to her mother in particular … and that would be Diana Ross, in case you weren’t sure. I had the privilege of seeing Diana Ross in concert two summers ago and let me tell you, that woman’s style is the very definition of unapologetic glamour, with no signs of toning it down at 73. So anyhow, Tracee seems to be a reflection of Diana for the twenty-first century. I’m loving her turban, and the way her gown’s neckline ties in a large, loose bow. The whole design from the runway is actually Pepto Bismol pink in its original form! And if you can find an close-up shot of her Irene Neuwirth earrings, they’re equally stunning- gettin’ me with the art deco styles again.

Diane Kruger in custom Prada

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Undeniably, my favorite. I love the draping, I love the neckline, I love the beaded details and the delicate fabric. And it has a cape! And a box clutch! Ah, I’ve missed Diane on the red carpet. I adore gowns that seem flowy and watery, with plenty of movement. The whole silhouette feels so effortless. I honestly don’t have much more to say about this look- I love it, and that’s about it! Simple hair, simple makeup, perfect styling.

Black never has to be boring, and along with the gowns there was an abundance of beautiful hair and makeup tonight to complement all the blank canvases. A worthy mention, here:

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This is Jessica Biel’s hair, styled by Adir Abergel. I live for little unexpected details like this. And if it’s not a throwback look, I’m equally a fan of strong, modern, minimal touches. You can’t help but think that this hairstyle belongs on a runway slightly influenced by Mad Max. I’ll have to find out whether this is leather, fabric, etc.

Any standouts to you this year among the sea of black? Let me know in the comments, and on to the SAG Awards! xo, MR

All images credited to Getty Images. Jessica Biel photo credit to @hairbyadir .

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Best Of The 2017 Academy Awards

And here we are, once again!

This is technically the fifth Academy Awards that I’ve blogged and it’s my favorite post each year.  I’ve had a lot going on this evening work-wise so this post has been a process of constantly refreshing my phone before and after in attempts to get some quick peeks at attendees as they’ve arrived on the red carpet.  Not ideal, but I’m making it work.

A couple notes- Firstly, I’ve seen more impressive red carpets.  We were doing really, really good during this awards season but we seem to have pumped the brakes a bit.  I had hoped to see more bold color and risk-taking tonight.  We saw mostly gold and other soft metallics, and Janelle Monae was probably our only kooky-crazy gown.  I only noted a bit of red and perhaps just Scarlett Johannson’s pretty purple.  Secondly, Natalie Portman did not attend tonight’s ceremony because she’s in her third trimester of pregnancy.  I mean, whatever, okay, FINE.  But in all seriousness, I was bummed because I know she would’ve shown up looking glorious but I guess third trimester pregnancy merits some rest and a break from uncomfortable shoes and everyone staring at you.  OKAY, NATALIE.

And finally, I can’t seem to find Amy Adams!  Has anyone seen her?!  I looked all over social media and I did the Google, and she appears to be nowhere.  I do concur, by the way, that it was wrong of the Academy to nominate Meryl Streep over Amy this year, but I’d thought she’d surely attend tonight to support Arrival!  I also missed seeing Cate Blanchett. She wasn’t involved in much this year, but she always wears the best stuff.

And so with that, on to my favorites!  And again, a reminder- It might be a great dress but if the styling doesn’t appeal to me, it doesn’t make my list!  And it might be a cooky/ugly dress but if the styling streamlines the look and makes sense of it all, it might make my list!

Best This-Person-Would-Look-Good-In-A-Burlap-Sack – Charlize Theron in Dior

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Charlize is the one woman who has made my Best Dressed list every year she’s attended the Academy Awards.  I get that it’s hard to make someone of her features look bad, but despite how we may feel we all know that it can be done.  I think that’s one of the reasons why I’m continuously so impressed with her- she always knocks it out of the park and keep things classic and beautifully flattering, and doesn’t rely on her physical beauty to carry a look.  She still makes the right choices.  Her styling is always glamorous but simple, and her contract with Dior has probably been the most successful partnership I’ve seen between a celebrity and fashion house.  This particular gown looks like liquid gold and those earrings are bonkers!

Best Overall Because LOOK AT HER – Taraji P. Henson in Alberta Ferretti

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I mean, okay. OKAY. There is literally nothing wrong with this whole thing.  There is no flaw.  At the SAG Awards, Taraji seemed to have her frothy, feminine fantasy moment.  But she wasn’t having any of that tonight and THIS look is just about as sexy as it gets in my opinion.  No, not in my opinion.  IN ALL REALITY EVER.  This neckline with that slit all in deep blue velvet (scratching my David Lynch itch, Cookie!) with those diamonds and that haircut is just deadly.  Deadly, I say!  Taraji looks like she was just poured into this dress like an expensive glass of the finest champagne.  She has never looked better. I can only pray I come across an occasion where I have to wear something this glamorous in my lifetime.

Most Welcome New Darling Of The Fashion World – Ruth Negga in custom Valentino

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So, I think Ruth Negga likes clothes.  I mean, I think she really likes them.  Most new actresses that arrive on the scene tend to play it rather safe for a couple years before taking a couple risks once they get a high-profile stylist or a new haircut or something like that.  Or they wait for a contract with a fashion house and suddenly every dress seems to be wearing them and not the other way around (paging Jennifer Lawrence …).  Such has not been the case for Ruth Negga (or Lupita Nyong’O, the other exception in this case).  Right out of the gate, Ruth has been a person made for fashion.  She clearly loves the artistry of clothes-making, and she appreciates unique and sometimes quirky pieces.  I loved this Victorian style custom Valentino gown she wore.  It was similar to what Ginnifer Goodwin wore, but Ruth’s seemed to have a more Gothic feel.  Her makeup and hairpiece matched the mood, too.

Best Old Hollywood Throwback – Emma Stone in Givenchy Haute Couture

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As I write this, they’ve only just announced the winner of the Best Supporting Actress (go Viola!) and so we’ve yet to learn if Emma will indeed win in tonight’s Best Actress category. I have a feeling she will, and this is a lovely dress to win in.  I love Emma’s 1920’s style dress paired with very 1940’s hair and makeup.  It really is a very classically beautiful look. I was hoping to see more color on Emma during this awards season, but for what we’ve lacked in color her styling team has made up for in texture.  Fringe, glittering stars, floral appliqués- we’ve seen plenty of gorgeous handicraft in the texture department on Emma this year.  I did like her look when she attended the 2015 Academy Awards for Birdman more than tonight’s look – I loved her updo paired with the chartreuse gown and coral lips – but this is still nothing short of stunning and worthy of a winner. I’m getting some Rita Hayworth vibes with her hair, too.

Best Holy Cleopatra Batman! – Jessica Biel in Kaufmanfranco

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I told you there was a lot of gold this year!  I wasn’t kidding!  But I have to say, this is my personal favorite.  Don’t you dream of wearing dresses like this?  I mean seriously. That necklace is incredible, and the gown reminds me so much of Nefertiri in The Ten Commandments.  Nefertiri was probably the first woman in film that I idolized and wanted to look like and dress like as a child.  Of course, I was supposed to be drawn to the humble shepherd girl played by Yvonne De Carlo, but that would take some Mount Sinai-levels of convincing throughout my adolescence and beyond.

But anyhow, this dress had me.  And the necklace.  And the styling!  I love Jessica’s bold cat-eye made with thick eyeliner (again, Cleopatra!) paired with peachy lips and cheeks.  I also love the sleek updo with the center-part in Jessica’s deep brown-black hue.  I can’t wait to get a view of the back!  And again, if you know me, you know I like it when something’s just a bit off. In this case, it’s hairstylist Adir Abergel’s genius work with this updo- it’s totally off-center on purpose.  It adds characters and just barely tweaks the perfect symmetry of the center-part.  Details like this that play with shape and balance are my favorite; details of color and texture are a close second.

So there you go!  Now tell me your faves!  Anything you hated?  Anything you hoped for but didn’t see?  And don’t forget, there are always the after-parties with plenty of gown changes and extra folks who just weren’t important enough to invite to the awards ceremony.  Have fun!  xo, MR

 

Photo credits in order of appearance:  Getty Images, Jordan Strauss/Invision/AP, Jordan Strauss/Invision/AP, Noel West for The New York Times, Getty Images

Best Of The Met Gala 2016

And once again, Anna Wintour has thrown me an early birthday party and forgotten to invite me.  It’s really just getting obnoxious at this point.  I guess I’ll have to return her hostess gift- a bottle of two-buck Chuck and a Target candle.  Your loss, Anna.

And in case you, dear reader, need a brief review on what exactly the Met Gala is, here is the quickest definition I can give you- the Met Gala is an annual fundraising gala hosted by Anna Wintour (editor in chief of Vogue, in case that was needed) for my birthday the benefit of the Metropolitan Museum of Art’s Costume Institute in New York City.  It celebrates the opening of that year’s Costume Institute exhibit too, which remains open for a couple months, but the main purpose of the Gala is to fund that exhibit.  So, yes, what this whole thing boils down to at the most fundamental level is, more or less, a fundraiser.

But of course, we all know that’s not really what it is in its essence.  The Met Gala is not just a fundraiser.  I don’t think any of us can picture Beyonce showing up to a country club for a dinner of chicken, rice pilaf, and veggie medley, and then merrily writing a check for $100 after a PowerPoint presentation and a bit of pinot noir in a disposable wine glass. No, to call the Met Gala a fundraiser really does not do it justice, even if that’s what it is by definition.  With the highly exclusive invite list overseen by Anna herself, the press coverage second to none, and the accompaniment of some highfalutin theme each year, the Met Gala is sort of what the fashion world recognizes as THEE event.  If you’ve been invited to the Met Gala, that’s one of the most influential authorities in fashion telling you you’ve made it and you’re welcome to now use emojis when texting her.  Or something like that.

Of course, I have become rather cynical toward Vogue over the years as I believe it’s started to warp into a mere celebrity platform with a bit of tabloid flavor.  A bit of that came out in tonight’s red carpet, as well.  Vogue now seems more about staying pop culturally relevant as opposed to remaining the revered fashion authority it has been; more about pimping the names of models with six million or more Instagram followers than celebrating the creativity and innovation of designers and artists around the world.  First came the Kim and Kanye cover of April 2014, then the single special edition devoted entirely to Kendall Jenner, and most recently, a perfectly timed May 2016 Taylor Swift cover that has gone hand in hand with her new “edgy” makeover.  It’s all just in time for the Gala as Swift co-chaired this year, yet I can’t help but feel that the Wintour influence has been unbearably obvious and heavy-handed in her case.  I’m never a fan of a makeover feeling manufactured or manipulated for press or publicity, and I have to say that Taylor Swift’s choice of outfit this year was … well … let’s just say that it looked like a stylist from Charlotte Russe got hold of her as opposed to Nicolas Ghesquiere himself.  I was, admittedly, very disappointed.  I find my feelings toward the Met Gala overall sort of turning in the same direction as my feelings for Vogue- it’s starting to be difficult to take seriously.  However, I don’t want to stop enjoying things I love such as fashion, so I’ll attempt to overlook the Hunger Games Capitol flavor its taken on and just take it for what it is- a fashion show.

So anyhow, the theme of this year’s ball was “Manus x Machina: Fashion In An Age Of Technology”.  Your eyes may have rolled into the back of your head after reading that, but I have to say that very few attendees of this year’s event seemed to stick with the theme or even try to dress to the theme because, after all, how exactly can you dress for a “tech” theme?  Dress like an iPhone?  Accessorize with a fax machine to be ironic?  You could wear a light-up dress as one celebrity did, but even that’s already been done by Katy Perry at a previous year’s Gala.  What we did see were a TON of metallics, a massive trend toward dark and vampy lips, a whole lotta model chicks in Balmain (which I’m super over btw), and just a whole lotta WEIRD in general.  It was perhaps the strangest red carpet I’ve seen in a while.

So here are the looks that I enjoyed the most when considering every element including hair, makeup, and accessories.

Zoe Saldana in Dolce & Gabbana

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Ah yes, there’s my girl Zoe bringing it once again in an insane dress that looks like she’s carrying a jungle with her, complete with birds and palm trees and flowers.  But really, I love this.  This is the kind of statement that I’m looking for.  And I cannot wait for an up-close shot of the skirt so I can see it in full detail.  How it goes with the tech theme I do not know, but like I said earlier, the theme got kind of thrown out this window this year from what I can tell.  With minimal makeup and low-maintenance, Zoe’s look was a win for me.

Kate Bosworth in Dolce & Gabbana

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This was the first dress that I really squealed over.  I love just how much detail is in involved in this gown.  How do you even begin to envision something like this?!  That bodice is exquisite!  And I love the jeweled “floral” headpiece.  It’s a modern rendering of an ancient Etruscan goddess, complete with glowing, angelic skin.  And can someone PLEASE find of what lip color that is?!  I’ll be scrolling through Insta all night trying to find out.

Lupita Nyong’o on Calvin Klein Collection

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Might it be the most ambitious hairdo we’ve ever seen on a red carpet?  Perhaps.  But Lupita has taken an avant-garde turn in fashion that sort of allows her to try whatever and pull it off, even if it’s basically haute couture Cindy Lou-Hoo.  And please take a look at this gown.  It is mesmerizing.  Such a lovely, refreshing color with texture that makes her some kind of beautiful cross between a mermaid and the Empire State building!

Jennifer Connelly in Louis Vuitton

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I chose this look because A) it’s representative of the very casual vibe that many folks went for on this year’s Met Gala red carpet but B) this particular casual look seemed to work out better than others.  And C) because it’s Jennifer Connelly and I’m obsessed with her and I all-too-frequently give her a free pass.  This was one of many, many Louis Vuitton outfits seen tonight too, but I much preferred this look as opposed to say, Selena Gomez’s.  Jennifer’s look feels edgy and elegant until you get to the boots (which are freakin’ tight if you ask me), whereas Selena’s just felt much, much too casual from top to bottom.

Beyonce in Givenchy

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Bey’s eyes are only half open.  I’m thinking she’s just a little tired from waterboarding everyone with lemonade these days, and the fact that she’s currently on tour.  Yeah, she has a show in Raleigh, North Carolina in less than 24 hours.  Bey better take a nap or she’s gonna fall asleep on stage!  But her latex Givenchy dress is pretty rad, I must say.  I like a weird texture on a dress, and I miss all the exaggerated shoulders from five years ago.  I also really love Beyonce’s hair when it’s straight with a center part for some reason.  It is just so pretty.  And I never met a smokey eye I didn’t like, or black manicure I didn’t like.

Emma Stone in Prada

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Is this woman starting to look more and more like Margot Robbie by the minute?  They’re morphing into one person and it’s scaring me.  But I digress.  I liked the overall effect of this, especially with Emma’s new, rich hair color.  I’m not sure why I like it so much; it has the feel of a Roman gladiator which, again, is nowhere near the tech vibe that we were supposed to be going for, but oh well.  It flatters Emma beautifully and I cannot wait for makeup closeups.  Rachel Goodwin is forever and always a makeup genius.

Brie Larson in Proenza Schouler

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I love any dress that looks like it may have taken a billion hours to make, and this is no exception.  I would choose to wear something like this if I were attending the Met Gala, though I’d typically prefer something floor length because when do we normal humans ever get to wear anything floor length besides pants?!  I like that this dress is very feminine and sweet in its silhouette, but the severe hair and makeup keep the look from going in a direction too cloying.  Just the right amount of girly-girl married with futurism.

And there you have it.  I almost wish I had done a “roast post” on all of the other absolutely ridiculous looks we saw this evening, but I feel that’s not my brand.  I’ll mention just a couple stray observations:

  • The Kardashians always look like the Kardashians, and always wear Balmain, all the time.  I feel that I’m completely numb to their effects now.  I always seem to know exactly what they’re going to look like these days.  Even Kanye wearing blue contacts feels blasé.  And will someone please convince him to wear something other than denim?!
  • Madonna’s face looks so painfully stretched that my teeth hurt just looking at her.  I’m making a dental appointment.
  •   “Naked” dresses feel so last year, and yet we still saw way too many of them.
  • Katy Perry is Katy Perry.
  • Sarah Jessica Parker has never looked worse!  That broke my heart.  I have no idea what she was thinking.  I get that she’s SJP, mais quelle horreur!
  • Too much white, too many metallics.
  • Where have all the eyebrows gone?
  • I feel like we have seen Amber Heard in the exact same look before, from head to toe.
  • Naomi Watts looked lovely, but I feel like I’ve also seen her in that same exact look before.
  • Olivia Wilde is really into metallic chokers.
  • Blake Lively always looks like Blake Lively.
  • Idris Elba showed up looking like the living, breathing definition of James Bond, but oh yes, he’s too “street” to take over the role apparently. Smh.

Share with me your thoughts, criticisms, and wailings of lament.  And in the words of Miranda Priestley, “That’s all”.  xo, MR

Best of the Awards Season 2015

So, awards season.  It’s here.  Wait, I mean, it’s been here and I’m just very late.  Very, very late.  How about I not waste any time and just get down to the point, which in this case would be my favorite looks of the 2015 Awards Season.  This mostly revolves around hair and makeup, but there were two irresistible dresses that I’ll get to.

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Keira Knightley, once again, proves to be my number one makeup inspiration (alongside Kristen Stewart).  I am always impressed and delighted by however subtle or dramatic, feminine or cutting edge, new or same-ole’ her makeup is.  I am never disappointed.  The look above from this season’s Golden Globes is almost exactly what I go for when I do bridal makeup, and then work forward if the bride is looking for something more specific.  It’s just a classic, beautiful look.  I spoke to KK’s makeup artist Kate Lee on Instagram (!!!), and while she credited Chanel’s Les 4 Ombres Multi-Effect Quadra in Tisse Gabrielle for Keira’s eye makeup, she let me know that you’ll want to mix in their Lumieres’ Facettes Quadra in Quadrille as well to create a more violet tone.  Luckily, I own the Tisse Gabrielle, so I’ve been playing around with mixing in some of my purplish MAC shades like Sketch for a similar look.  I’ve always said that if I were ever to have the opportunity to have a celebrity makeup artist play with my face, Kate would be my very first choice.  Every little thing she does is magic!

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Not much eye makeup.  A matte-ish, more-tangerine-than-red lip.  Shineless waves, and an asymmetrical cut.  When dissected, so much about Rosamund Pike’s look at this year’s SAG Awards was unconventional and off-ish for the red carpet, and that’s why I loved it.  No giant false eyelashes (maybe none at all?), no obvious slick of lip gloss reflecting so much light it could blind you, and a disheveled hair texture that felt different as opposed to all the perfect, 1940s Hollywood waves we typically see at these events.  Seriously, who wants Pantene commercial hair any more?!  Not me!  Pair it all with that Dior Couture gown and you’ve got a look that I would literally wear myself, from the haircut down to the shoes.

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One of the fun things about social media is you see a certain celebrity you love on the red carpet, and then they tag all of the people responsible for their look that night and you follow the tags down this rabbit hole of amazingness that enables you to discover exactly who is cutting whose hair, who is always doing whose makeup, and who is styling whose dresses.  George Northwood cuts Rosie Huntington-Whiteley’s hair, Nick Barose is always Lupita’s makeup artist, and Tracy Cunningham is the hair colorist of all Hollywood everyone ever.

There are certain dream teams, however, that seem to come together for one special celebrity for every important appearance of theirs.  In this case, it’s the team of hairstylist Mara Roszak, makeup artist Rachel Goodwin, and stylist Petra Flannery that have managed to create moments of pure yes for the beautiful Emma Stone on a regular basis.  This year’s SAG Awards were no exception.  I’m apparently have a moment of affinity for Dior Couture (which is not usually the case), so it’s good to finally feel that I can relate to the fashion house which I’ve had a hard time with in the past.  I tend to leave all the Dior for Marion Cotillard, and I’ve trusted it with no one else.  However, Emma’s turn in black, sheer tuxedo-inspired Dior Couture gave me a case of the Honey Boo Boos,  and I’m giving major virtual high-fives to Emma’s dream team here.

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And let me just mention that I have never wanted to be a redhead so badly in my life.  The funny thing about this kind of “red” hair is that it’s not actually an authentic red; it’s more of a brown-bronze that’s richer, more sophisticated, and more flattering than a fiery red (which Byrdie.com has so eagerly dubbed “ronze”).  But beyond the hair color (pulled artfully back into a sleek, modern ponytail), it’s also the glossy lids, the perfect shade of red on the lips, the amazing lashes, the #flawless brows, and the unique ear cuff that make for those special details that turn a great dress on a pretty person into A) an entire look that I’d wear from head to toe and B) something that will be talked about in the fashion world for months and months to come.  Congrats guys, it’s perfect!

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And finally, we come to the one singular dress from the Golden Globes that really stole my heart and haters can SHOVE IT.  A couple things here:  A) If you wear Mary Katrantzou on the red carpet I automatically love you forever.  B) This dress reminds me of Princess Aurora’s classic silhouette, which might be one of the reasons why I love it so much.  C) That shade of mauve-ish purply pink is gorgeous.  D) Again, I’m all about the weird little details with that box clutch, the dark nails, the matching pink lips, and the shoes that don’t really match at all or make any sense.  Some have said that Kerry’s looking like “a very bold Easter basket” here, but I am almost always impressed and excited by Kerry’s uncanny red carpet choices as opposed to the same body-con piles of blah that we see all the time.  Take a risk, people!  It may not always pay off, but I will at least have a lot more fun looking at you on Instagram.

Questions?  Comments?  Bricks to throw?  Bring it!  But I’m tired now.  That’s all.  xo, MR

On January, drugstore makeup, and why Olivia Wilde may hate me after reading this.

January is a funny month.  The huge climax of the holiday season has worn off, it’s consistently cold out, and things go back into their typically mundane routines.  You’ve got all your new gifts (and might be over them already), have probably returned from your vacations, and are perhaps well on your way to breaking keeping any resolutions you’ve made for the new year.  You work out, you go the movies, you shop around for yourself … nothing particularly special.  Nothing particularly new.

What I love about the fashion and beauty spheres, however, is that everything is always new.  Everything is always forward.  You are more than welcome to enjoy the present moment with all its current trends and styles and happenings, but you also have every right to anticipate the coming season with all the excitement and future-minded thinking in your being.  In fact, it’s the only way to operate in such a world.  In fashion and beauty, it’s never too early.  The magazine issues you are seeing on stands today are the January issues (and they’ve been there for at least a week now), and they will all have some kind of spring preview in them.  The spring previews will only continue to grow bigger in the February issues, until the March issue comes out and there you’ve got the second biggest month for fashion and beauty publications of the year next to September.  And I love that things work this way.  There’s always something to look forward to.  In fashion and beauty, today is pretty much yesterday, and tomorrow can be seen everywhere today, and yesterday will probably serve as the inspiration for tomorrow so be sure to hold on to yesterday’s stuff today just in case for tomorrow.  Yes, fashion just got meta, Looper style.

So, where in the beauty world can we see tomorrow, today?  Well, if you keep up with any beauty blogs or magazines, you may have noticed articles or features over the past month beginning to drop the names of products that you’ve never heard of.  Like, you’ll see a feature on some makeup guru’s “must-haves” and they’ll mention some kind of lipstick or  whatever that you’ve never found in a drugstore.  For all you know, it doesn’t even exist.  That’s because us low-life plebeians can’t get our hands on such things yet because the product hasn’t been launched to retailers, but January is usually the time that you’ll see them making their first appearances!  Now, the new products have all been sent in advance to important folks in the beauty world (celebrity makeup artists, etc.) to get the word out early, and of course, part of getting the word out is mentioning them in magazines and interviews to ramp up public anticipation.  January is also a common time to release advertising campaigns featuring a new spokesmodel.  My best example I can think of for this year would be Lea Michele for L’Oreal Paris.  Next time you see Lea in a magazine, you can bet your butt that she’ll be either in a L’Oreal ad, pictured alongside some kind of L’Oreal product, or she’ll speak about it in any kind of interview for the next couple months.  Last year around this time, it was Emma Stone and Olivia Wilde for Revlon.

I admit that I get a bit cynical about spokesmodel campaigns because I feel those kajillion-dollar contracts seem to discourage these women from being truthful about what products they really use and really enjoy.  I mean, prior to being paid enough money to support all of Indonesia for a year by Almay for her current spokesmodel campaign, did Kate Hudson really love and use their products?  Somehow, I think being paid what I’ll probably make in thirty years of work for a single two-to-three-year contract makes that drugstore makeup and box-dye haircolor a lot more effective to you- yeah, I’m looking at you, Gwen Stefani.  You will literally never convince me that the QUEEN of platinum blonde hair regularly uses L’Oreal Preference box dye for those icy perfect locks of hers.  Never.  And isn’t Olivia Wilde some kind of proud vegan?  Why, oh why, would you agree to be a spokesmodel for Revlon, a brand that (like most drugstore cosmetic brands) is notorious for animal testing and nowhere near natural in it’s ingredients, if you’ve claimed to adopt such a lifestyle?  Oh, they’re paying you my dad’s salary times a thousand to do it?  Yep.  Sounds like a good time for looser vegan standards to me, too.

Anyhow, for as much as I bash on drugstore products and all the advertisements they come with, it still is exciting to see them make their debut.  A junkie is a junkie is a junkie, and I’ll come clean and say if I were extended a whopper of a contract to grin and bear it for Maybelline, I’d take it (or at least, with what I’m currently earning I would).  I was wandering through a Walgreens earlier today and it looks like January came early (which is no surprise, since, again, everything is early in these spheres)!

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As you can see here, we’ve got all kinds of newness coming from the folks at L’Oreal.  New hair products for the EverCare line, new shadow palettes, all sorts of stuff.  And there’s Lea, peeking out from behind the Telescopic Shocking mascara!

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Here’s what’s new from Revlon.  I think they’re trying to make a pretty big deal out of that Nearly Naked makeup line, as Revlon threw a giant launch party for it complete with an appearance by Emma as its spokemodel.

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Additionally from L’Oreal- A huge new line of hair care products (and not just in addition to the sulfate-free EverCare line).  This line is simply called L’Oreal Advanced Haircare, but there are five types of product families within it to suit all kinds of needs (like dryness, color treated, etc.).  And there’s Lea’s face again!  I doubt these items will match up to salon quality or beat more natural care for your hair, but time will tell if any of these products give effective results and become household staples.

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I took a shot of all the five families in this line except for the kind tailored toward “dry” hair (and it’s minty-green packaging).

So as 2012 winds down and 2013 begins to take the stage, be anticipating all these items to appear in your local drugstores very soon.  And just learn to deal with the lies of Halle Berry saying that Revlon has made her “photo ready”, while failing to credit her skincare routine that costs the price of Brazil with tax and consists of a moisturizer made with one drop of blood from every endangered species on the planet and hand-crushed tea leaves from the top of Mount Kilimanjaro.  And something called “Adobe Photoshop”.  xo, MR