Best of the 2019 SAG Awards

Alright, so Critics Choice didn’t have that much going on and I for sure won’t be blogging the Grammys, so SAGs it is! It’s kinda weird to see the nominations all jumbled compared to the Golden Globes and then jumbled up again with the Academy Award nominations. No Crazy Rich Asians Oscar noms? Really?! But anyhow, like I’ve said before, this is why I’m strictly here for the gowns. Things get too frustrating otherwise. So here we go!

Yara Shahidi in Fendi Couture

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Is this the most fun dress … or pant thing … or just, garment in general I’ve seen in my life? Maybe. I mean, it has sparkly pants, and it has a Peter Pan collar. And like, you can take the beautiful tulle cape thingy off and still be left with an insane sequined jumpsuit. It’s just too good. And yet, it’s still young, which I love. Makeup by Emily Cheng, hair by Nai’vasha.

Lucy Boynton in Erdem

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You really have to find a closeup of Lucy’s makeup- she’s got the whole graphic eyeliner thing going on, with a singular, curved black line placed just below each brow bone. And she’s doing the super bleached out hair- v trendy. Apparently her makeup artist was sponsored by Victoria’s Secret makeup? Interesting; I’ve not really been drawn to their makeup in years. I guess a sponsored post is how you get people back on the bandwagon, though. But I love the overall Victorian Goth vibe we’re doing here. Lucy’s clearly been going the FASHUN route as she’s gained more exposure, which I admit I appreciate more than the forever-playing-it-safe route a’la Amy Adams. Makeup by Jo Baker, hair by Jenny Cho.

Michelle Yeoh in Elie Saab Haute Couture

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So classically beautiful and Hollywood. We don’t get nearly enough of Michelle in the States, so I’m thrilled to have her around these days thanks to Crazy Rich Asians. Michelle’s been having Daniel Martin do her makeup during this awards season, who happens to be the artist responsible for the Duchess of Sussex’s makeup on her wedding day. Gotta love an artist that insists on keeping things natural and pretty, even on days when you’d have every excuse to go over the top. Also, if you can manage to find a closeup of her earrings, they’re crazy. I’m sure they’re worth a small fortune. Makeup by Daniel Martin, hair by Bertrand Delacourt.

Emily Blunt in custom Michael Kors

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I’m loving Emily in some serious color, but the style of this dress I love even more. This  reminds me of a Spanish dancer- you know, the really beautiful sea slug? Watch Blue Planet if you don’t know what I’m talking about. Emily’s matched her makeup to her dress as well, which is like, a cute thing to do these days. Her makeup’s been on point these past few months. Makeup by Jenn Streicher, hair unknown.

Mandy Moore in Jason Wu

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Well, this was pretty magnificent. Talk about fitting like a glove, and such drama! I’m not sure Mandy’s ever looked better (and I hate to say it but I prefer this look by a long shot to her recent wedding look, but hey- that’s not really a look up for public scrutiny anyhow). I loved Mandy’s look last year in the strappy cobalt Ralph Lauren gown, but this here is kind of like, “peak” beauty. And you know I’m a sucker for a sleek pony, so. Makeup by Kindra Mann, hair by Ashley Streicher.

Other comments include:

Margot looked beautiful as usual, but I’m longing to see her in some color. She wore so much neutral during last year’s awards season; I was bummed to see her in more white.

Constance Wu’s makeup by Patrick Ta … WOW.

I feel like we’ve seen Emma Stone do the gold and/or fancy-pant thing a couple times. I’m ready for more gowns and color.

Absolutely loved Rachel Weisz’s dress, but wasn’t too jazzed about her makeup. Seemed to be such a strong emphasis on the brow and it needed a little pop elsewhere to balance out all the dark elements of her look.

The suits these men are wearing … Henry Golding in a gold jacket, Darren Criss’s silver amazingness … might just force me to start listing men in these lineups of mine. Same with Idris’s green suit at the Golden Globes.

Tell me what you loved!!! xo, MR

 

Photo credits in order of appearance: Getty/Steve Granitz, Jeff Kravitz/FilmMagic/Getty Images, John Shearer/Getty, Frazer Harrison/Getty Images, Rob Latour/Shutterstock

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Best of the 2019 Golden Globes

Besides the smattering of celeb appearances that have already occurred this week – the Palm Springs Film Festival, Art of Elysium Gala, and BAFTA LA tea party – the Globes are kind of the first real REAL “back to work” moment for a lot of celeb hair/makeup artists and stylists. And I’m always keeping closer tabs on them than the celebs they work on, so cheers to a great 2019 for all the glam teams! Bang up job as always.

I’ll admit I’ve seen pretty much zero of the films and shows nominated for tonight’s awards (well, two movies and two TV shows to be exact) so in case you need any reminders, I am here for the red carpet. Here we go!

1. Anne Hathaway in Elie Saab

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This was just fun to me. The print, the length- and there’s a high slit up the front that makes it super fun! And I love Anne back in a long-term relationship with her long hair. It made me sort of sad that she went through her whole special Les Misérables awards season with her short hair, but oh well- no short hair, no face-melting Fantine moment to earn an Oscar. But here we are now, doing Miranda Priestly very proud I’m sure. Makeup by Beau Nelson, hair by Lacy Redway.

2. Rosamund Pike in Givenchy

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Rosamund’s grandma can officially *not* give her grief for going out without a jacket. She took a jacket with her, Grandma. She’s fine (though her hair may or may not be wet- the other reason grandmas cite as responsible for an early death). Also, love a severe look with severe brows and a severe center part. All about that. Well done. Hair by Bryce Scarlett, makeup by Mélanie Inglessis.

3. Constance Wu in Vera Wang

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So unexpected! Love the nude/orange combination. I anticipate seriously great things from Constance and her team this whole awards season. The whole cast of Crazy Rich Asians, I’m sure, will knock it out of the park (I mean, Michelle Yeoh? Please. Been obsessed since Memoirs of a Geisha). The CRA press and premiere circuits were dazzling just like the film, and I imagine there will be more looks that give a nod and a wink to the movie’s over-the-time opulence. Bring it. Makeup by Molly Greenwald, hair by Marissa Marino.

4. Rachel Weisz in Céline

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At first glance the dress was not my fave (and it’s now the controversial Hedi Slimane at the helm for Céline, who’s managed to justifiably raise some eyebrows with his new … “interpretation” of the brand), but it’s always in the details for me. The delicate Cartier art deco choker, the deep chocolate hair, the strong brow, the blotted lip- the dress brings the little details together in a way that makes sense. Also, it’s really hard to make Rachel Weisz look bad. Hair by Kevin Ryan, makeup unknown.

5. Danai Gurira in Rodarte

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And now for something completely different. I’ve been watching Planet Earth II and I can’t help but be reminded of all the electric-hued tropical birds we see in the jungle when I behold color and texture like this. Or Danai looks like she could jump in the ocean and turn into some sort of beautiful fish. And I loved the contrast of her red-orange with Lupita’s cobalt blue gown. You know I gotta say it … Wakanda forever! Makeup by Tym Buacharern, hair by Larry Sims.

6. Charlize Theron in Dior

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I mean, duh. I promise my inclusion of Charlize on all my lists is never obligatory. I really, truly look forward to her looks probably the most consistently out of anyone (besides Jennifer Connelly, who we barely see these days anyhow). Charlize is such a giant golden goddess Olympian statue that basically anything – avant gardé, classic, glamorous – is executed with perfect ease by herself and her team. I’ve yet to see anything on her (and granted, it’s mostly been Dior) that’s left a bad taste in my mouth. If anything, I’ve felt that her team could perhaps just push the envelope with her a bit (and again, that would probably mean stepping out of the Dior contract). But anyhow, all that to say, yes, I love Charlize’s look. Again. Hair by Adir Abergel, makeup by Kate Lee.

There were so many other gorgeous looks, but I was missing the Margot Robbie magic tonight. Surely we’ll see her soon. Let me know your faves! xo, MR

 

Photo credits in order: Matt Baron/BEI/Shutterstock, Jon Kapoloff/Getty Images, Jon Kapoloff/Getty Images, REX/Shutterstock, Shutterstock, Frazer Harrison/Getty Images

Stress, Bad Habits, and Olivia Palermo

I have been a worrier since I was a little girl.

When I would find myself under stress as a young child, I remember wrapping my arms around myself and repeating, “It’s okay. It’s okay. It’s okay.”  I constantly talked to myself as a child and performed what felt like little play therapy rituals with toys and dolls; there are still traces of this in me today and it always seems to revolve around hair.  As odd as it may sound, playing with hair is very soothing for me whether it’s my own or someone else’s.

But worry has followed me elsewhere.  My 5th grade teacher once placed a ban on me from approaching her desk and asking her what my grade was; I’d been asking her every day for at least a month after being somewhat traumatized by my first D on a long division math assignment.  I would constantly wonder what my grades were or if I was suddenly failing.  I would do the same with friends; in preschool I incessantly asked my friends if they really liked me, to the point where some of them started to say they didn’t anymore.

In middle school, things got a little weirder when I started picking at myself.  When worry or fear would crowd into my mind, I would pick furiously at my legs, at all the little ingrown hairs.  The picking would leave these all these red bumps, making it look like I’d been attacked by mosquitoes.  In my early college years, I started picking at my hair.  I’d find dry hair strands with broken ends, and I’d snap them off.  I’ve been known to pull at my eyebrows and eyelashes too, especially at my old job where things could get really fast-paced and surprisingly stressful.

A lot of this may sound alarming, but believe it or not, many of these behaviors are very normal and I’ve been working on replacing them with other things like reading a passage, prayer, finding something little to do that I enjoy, and so on.  Obviously the behaviors spike during times of greater anxiety, but in my personal case they can be controlled with a little help and attention.  These things I deal with are more situationally triggered than compulsive problems that really need no trigger.

Please note though that some people struggle with extreme, compulsive versions of these behaviors such as trichotillomania in the case of hair pulling, which is defined as a disorder that involves recurrent, irresistible urges to pull out body hair (not just picking off dead ends in a fit of nerves, but literally pulling out entire patches of hair in a single episode).  Those who suffer from this disorder frequently find themselves with bald patches, or lose all their eyebrows or eyelashes from all the pulling.  Trichotillomania is overwhelming and debilitating.  It requires the help of medical and psychiatric professionals and isn’t merely a symptom of general anxiety; it is a major problem within itself.  I do not suffer from this disorder, but Olivia Munn apparently does.

However, one minor physical manifestation of anxiety that I’ve always struggled with has been biting my nails.

I have always, always been a nail biter.  I bite my nails alone, out to dinner, at work, in the movies, and around friends.  I bite my nails everywhere.  And there has never been a really effective strategy for getting me to stop.  My dad once pulled out his microscope and had me place my nails under it to show me how filthy they were (because everyone’s nails are).  And they were filthy.  And I kept biting.  In college, I once got asked out on a date by a guy in one of my classes; I declined (as I had a boyfriend), we laughed it off on friendly terms, and he said, “Awww. Okay. But hey, you should really stop biting your nails”.  And then he hopped away on his skateboard.

With all the transition that the first half of 2015 brought, you can imagine that all the worrying, picking, and biting came to a fever pitch.  Luckily I had cut my hair off in April so picking at dead ends was not much of a problem.  However, by July, I basically had no nails.  They’d turned into tiny little nubs that began to hurt whenever you’d try to bite them again.  It had to stop, or at least for a little while so I wouldn’t risk giving myself some random infection and so it didn’t sting every time I used soap when I washed my hands.  Enough was enough.

And so I motivated myself to stop biting my nails the only proper way I knew how- by buying a bottle of nail polish designed by Olivia Palermo.

I’ve been awkwardly obsessed with Olivia since seeing her on The City, and even though our styles actually aren’t that similar, I’m a sucker for nearly anything she puts her name to.  So when she debuted three bottles of nail polish for Ciate London this summer after being named their guest creative director for 2015, I felt I might have a solution to my problem.

So that last week of July was my final week of nail biting.  Every time I’d bring my fingers to my mouth, I’d remember that gorgeous bottle of brilliant red polish waiting for me and how badly I wanted a professional manicure for the first time in years (and how I’d paid for that polish and I’d better use it). Moreover, the August and September issues were out, and seeing all the beautiful nail trends had me even more motivated to prep my own nails for the season.

I’m delighted to say that the strategy worked!  And now I get to deal with the annoying upkeep of filing my nails so they don’t tear and then (gasp) snag my hair as I run my fingers through it.  But seriously, I had my first manicure about two weeks ago and wow- my hands had never looked so pretty!  I think I’m used to having nubby little troll hands, so I was extra pleased with how feminine and soft they looked.  The color is Olivia Palermo for Ciate London in Hutch.

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During the times that I’ve kept away from biting for a few weeks, I actually have enjoyed painting my own nails even if it doesn’t happen too often.  I prefer either nudes (as pictured below), or solid, classic colors for impact such as black, white, or a true red like my Palermo polish.  I always do nude on my toes when I go in for the rare pedicure because it actually can make your legs look longer.  I also love a matte topcoat; Butter London makes a good one.  I can also handle a bit of glitter around the holidays; I like chunkier glitter for impact.

What I don’t care for are brights, pinks, acrylics (I’m terrified), French tips, or any elaborate nail art beyond a simple, minimal design like these black tips.  I also don’t like nails to be too long, unless you go for the full Rihanna/Lady Gaga talon look, in which case I’d still go all black but it would probably mean getting acrylics which, again, terrifies me.  This would be about as “talon” as I’d go.  For the most part, I tend to prefer a hybrid square-oval shape (or “soft square” as the manicurist called it).

My favorite colors have come from the drugstore.  Sally Hansen’s Complete Salon Manicure lasts well over a week for me, and she’s had some amazing milky neutral colors that are so modern and flattering.  I wore the second polish from the left on my wedding day; it’s called Malt.  From the left, the others are Pumice, Honeywhip, and Bandage.

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Now that I have my nails back, I know I need to work hard to A) keep them in shape without spending money and B) control my anxious thoughts so I don’t bite them!  This should be a good exercise in seeing the smaller fruits of turning over my thoughts daily, and remembering I can be thankful and have joy instead of giving in to temporary anxiety and destroying new growth in the process.  If you struggle with anxious thoughts, remember that filling your head with worries robs you of too many things- your energy, your joy, your peace … your nails.  You aren’t meant to live that way.  xo, MR