August Musings On September Issues

I’ll be honest- August is one of my least favorite months. I don’t know why but weird, not-so-awesome things always seem to happen in August, or the month has routinely carried the weight of transition for me. I moved during August (two years to the date!), school frequently starts up again in August, the calendar starts to get too busy in August, and summer movies are never quite as good in August. It could be the looming start of a new school year and the existential reminder that all good Rosé seasons must come to an end, or it could just be me.

So over the years I’ve tried to find little ways to take back this month and be intentional about enjoying it, and for nearly ten years now one of those ways has involved getting really, really, reeeeeeeeally excited for September issues. If you know me, you know this. The annual crowning achievement of every fashion magazine editor is their September issue, and while the magazine industry seems to be in upheaval now right alongside retail, we can bet that no matter what happens there will forever and always be excitement surrounding the inaugural weeks of fall fashion. I’m not sure why people don’t get this excited for spring fashion in February. It must be the pumpkin-spice-loving, Ugg-boots-wearing, Bath-and-Body-Works-obsessing white girl in all of us.

So let’s look at a couple September covers, though we’ll be sans Vogue today because they have to be all queenie and make a grand entrance after everyone else. However, we WILL make some speculative guesses!

Blake Lively for Glamour

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I like this cover. It’s cheerful. It reads a little more March than September to me, but it’s still very beautiful. I’m not a huge fan of the large flower on Blake’s neck, but the soft focus on her face is easily the first thing you notice anyhow. Glamour has really been playing with its cover design the past couple years and the playful font lends a decidedly millennial feel to this one, clearly reaching out to younger readers. Lively apparently spends a great deal of her interview discussing the Child Rescue Coalition, an organization that “provides law enforcement with technology to track and prosecute child predators.” It might be heavy subject matter for a September issue, but I have to say it’s great to hear a celebrity pushing the focus outward instead of talking about their latest reinvention of themselves.

Alicia Vikander for Elle

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This, in stark contrast to Glamour‘s, is actually the kind of cover I prefer. It may be a little boring to some but I like that it makes a plain, straightforward statement. The bold fonts combined with Vikander’s dress and shoulder-y stance give off a kind of eighties vibe. Speaking of Alicia Vikander, it isn’t as interesting to see who is chosen for a September cover as much as it is to discover why. I like trying to predict September covers based on who has projects coming up that month. Alicia probably snagged the cover in anticipation of her late-August movie Tulip Fever, and to ramp up buzz for her Tomb Raider remake in March.

For Vogue, rumor has it that a certain actress in an upcoming Darren Aronofsky film will be taking their September cover. If this proves true I’ll be a little disappointed beings that she had this coveted cover just four years ago AND she was on Vogue‘s cover this past December, less than a year ago! Give it a rest, Ms. Wintour. And a second prediction- Rihanna will almost certainly grab a September cover somewhere, be it with Allure or Marie Claire, due to the launch of Fenty Beauty on September 8. I’d be lying if I said I wasn’t excited for this launch. You know there’s bound to be some top-of-the-line lipstick in any beauty launch that Rihanna’s responsible for.

Selena Gomez for InStyle

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Ah, and now for the one that I subscribe to and don’t just pick up on occasion. This magazine has been undergoing a nonstop overhaul since Laura Brown replaced Ariel Foxman as editor-in-chief last November. Some of the changes I’ve loved, others not as much. The covers that Brown has overseen have been consistently fresh and eye-catching nonetheless. She really has done a bang-up job.

It’s seemed the entire print mag industry has been trying to get its sea legs as it adjusts to constant change these years. Some have shuttered completely (RIP Lucky, Self, and probably People StyleWatch, or whatever it’s called now, very soon). Waning relevance thanks to social media and online content, a struggling retail industry (affecting fashion in general), and a political climate in upheaval have made it a challenge for fashion magazines to keep up readership and relatability. It’s been good to see InStyle as one of the few print periodicals that has taken the bull by the horns and leaned in to the maelstrom of change these days. And Selena, the woman with the most Instagram followers in the world at 124 million, is having her moment with a Coach partnership and a new album out probably sooner than later.

Adriana Lima, The Weeknd, and Irina Shayk for Harper’s Bazaar

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And now for the wildcard. Selena and her boyfriend must be high-fiving each other over both claiming September covers this year- not something you’d expect to find on any male celebrity’s resume (save for the obvious i.e. GQ). I have to admit that I laughed out loud when I first saw this. The expressions on their faces somehow read super Zoolander to me. I’m pleased, however, that Adriana and Irina are the only models on the September cover lineup so far. The rest are musicians or actors. I have to say that I’m pretty burned out with the resurgence of the supermodel. I know for a while we all complained that the world of fashion had been given over to the celebrity and there was not enough respect being given to the model, the original and true muse of the industry. However, we’ve turned on the supermodel firehose these days with an endless barrage of Gigi, Kendall, Joan, Bella, Hailey, Kaia, Emily, Cara, and Karlie. Their omnipresence on our social media feeds has had a numbing effect on me personally, and I’ve struggled to relate one little bit to today’s supermodels. But I guess the point of a supermodel isn’t exactly relatability, is it?  And the day I do relate to one, well, that probably means I’ve somehow become one in some alternate universe.

Any covers you especially love? Or any predictions for those yet seen? Do tell, and first and foremost, try to enjoy your August! xo, MR

Photo credits by order of appearance: Nathaniel Goldberg/Glamour magazine, David Bellemere/ELLE, Phil Poynter/InStyle, Brigitte LaCombe

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Best Of The Met Gala 2017

And tonight, once again, we witness Kardashian & Kompany turn out of for fashion’s most garish, most opulent night- Anna Wintour’s annual Met Gala.

Of course, we always hope to see more than just Kendall and Kylie competing for highest slit in a sequined gown, but in recent years that’s sort of what’s happened to this event.  The themes continue to remain quite highfalutin, but the guests and what they choose to wear and try to accomplish have seemed to wane in sophistication as of late.  The Met Gala used to appeal to me as the very height of fashion on parade, the epitome of bougie-ness and unattainable class.  Now it’s got more of a who’s-who-of-Snapchat flavor.  But that’s what makes a celebrity these days I guess, and the times have undeniably changed.

The theme of this year’s Met exhibit is “Rei Kawakubo/Commes des Garçons: Art of the In-Between”.  To make it clear, the exhibit is honoring revolutionary female Japanese designer and founder of Commes des Garçons, Rei Kawakubo.  Her designs are known for being high concept, visually stunning, architecturally forward, and typically weird.  And I mean really weird.  Her craft is the definition of avant-garde.  Kawakubo’s work has never seemed to be about making a flattering dress or celebrating the woman’s body as it is with some designers.  It has seemed her work is more about her.  “Pretty” isn’t what she goes for. Or at least, your definition of pretty.  Give her a rule, and she’ll break it.  The woman does what she wants, and so she has forged for herself a formidable career.  To read more about her exhibit and see more of her work (and trust me- you want to), check out this Harper’s Bazaar article.

So what can we expect with tonight’s looks?  Well, based on the theme, we can expect weird.  And that’s good!  Although, I wouldn’t have pulled a Solange Knowles and shown up in a puffer coat.  But we’ll get to see what many celebrities define as “weird” or at least a little off the wall.   A ball honoring Rei Kawakubo demands something far beyond the boundaries of a column gown.  As always, my same rules apply when choosing favorites: dress/outfit, hair, makeup, and accessories must all work beautifully in tandem.

Most This-Is-What-I-Would-Do – Rose Byrne in Ralph Lauren 

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I talk a big talk when it comes to the Met Ball, but I know I probably wouldn’t be brave enough to actually wear one of Rei Kawakubo’s designs.  Because they’re Charlie Sheen levels of crazy.  However, this I can do.  I like the wild hairdo.  I love the architectural neckline of this dress in this bright shade of true red.  I like the artsy jewelry.  And the makeup is beautiful.  This, I can do.

Most Not-On-Theme-But-Still-Fabulous – Jennifer Lopez in Valentinojennifer-lopez-met-gala-2017-ftr-1

Paging Betty Draper!  Or Meghan Draper.  Or Joan!  Or all of them at once!  Anything that makes me think of Mad Men is more than fine with me.  The powder shade of blue, the chiffon, the cape, the high neckline, the incredible jewelry, and obviously the hair and makeup made this a stunner look straight out of the sixties.  And thank you, J.Lo, for abstaining from a naked dress!

Best Model That Didn’t Try To Just Look Like A Model – Lily Aldridge in Ralph Lauren Custom Collection

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Even though none of my favorites have worn Commes des Garçons (yet…), I still appreciate models like Lily for taking a risk and clearly pushing boundaries with the intent of paying homage to the design house’s outlandish creations.  It’s interesting to see a lot of Ralph Lauren at this event; that’s a designer I would’ve guessed as too safe for the Met Gala.  But the accessories and styling of this white gown have kept it from just looking like another skin-baring dress on a model.  I love Lily’s crazy red boots (Balenciaga) and her fuchsia blush netting that she’s wearing across her face.  Her makeup is also spectacular.  I saw a lot of incredible makeup this evening regardless of what folks were wearing, with this being a particular favorite …

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Now that is eyeshadow fit for the gods.  Alright, now for my last pick …

Best Fantasy Moment – Zendaya in Dolce & Gabbana

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This woman is such a chameleon.  She wears anything she wants, and she does anything with her hair that she wants.  It’s so evident that she loves fashion, and I love watching that.  Her hair and makeup are gorgeous, and I already such a huge affinity for parrots- this is the dress of my dreams.

Most Perfectly-On-Theme-And-Still-Fabulous – Rihanna in Commes des Garçons

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Ok, finally we have someone that interprets this year’s theme literally and wears Commes des Garçons!  And of course it’s Rihanna.  I love that she’s always such a team player when it comes to the Met Ball themes.  Remember when she wore this insanity for China: Through The Looking Glass?!  That gown was the creation of a legendary Chinese designer and there was no better opportunity to wear it.  That’s what you’re supposed to do at the Met Ball.  So yes, this dress … or outfit, whatever we’re calling it … is perfect for a Met Gala dedicated to Kawakubo.  It’s one of her own creations, it’s a breathtaking-if-not-baffling work of art, it’s weird, and it’s Rihanna, who doesn’t seem to mind weird.  And be sure to search close-up shots of her makeup.  It’s incredible.  Perfect.

There’s lots to still sort through from tonight’s extravaganza, but other honorable mentions go to: Dakota Johnson in some excellent Gucci, Kate Bosworth in Tory Burch that looked dangerously similar to Dakota Johnson’s Gucci, Jennifer Connelly in Louis Vuitton (because DUH I’m obsessed with her), Elle Fanning in some very Cinderella Miu Miu, Doutzen Kroes looking natural and relaxed in Brock Collection, Ruth Negga in a very avant-garde cape thingy, and Lupita Nyong’O in a gorgeous shade of orange.

Let me know what you think, if things got weird enough for you, or if they just couldn’t get weird enough.  Anything goes at this party.  But you know who didn’t go to this party?  Taylor Swift.  xo, MR

Photo credits in order of appearance: Instagram, Rex/Shutterstock, Rex/Shutterstock, Instagram, Getty, Getty/John Shearer

Best Of The Met Gala 2016

And once again, Anna Wintour has thrown me an early birthday party and forgotten to invite me.  It’s really just getting obnoxious at this point.  I guess I’ll have to return her hostess gift- a bottle of two-buck Chuck and a Target candle.  Your loss, Anna.

And in case you, dear reader, need a brief review on what exactly the Met Gala is, here is the quickest definition I can give you- the Met Gala is an annual fundraising gala hosted by Anna Wintour (editor in chief of Vogue, in case that was needed) for my birthday the benefit of the Metropolitan Museum of Art’s Costume Institute in New York City.  It celebrates the opening of that year’s Costume Institute exhibit too, which remains open for a couple months, but the main purpose of the Gala is to fund that exhibit.  So, yes, what this whole thing boils down to at the most fundamental level is, more or less, a fundraiser.

But of course, we all know that’s not really what it is in its essence.  The Met Gala is not just a fundraiser.  I don’t think any of us can picture Beyonce showing up to a country club for a dinner of chicken, rice pilaf, and veggie medley, and then merrily writing a check for $100 after a PowerPoint presentation and a bit of pinot noir in a disposable wine glass. No, to call the Met Gala a fundraiser really does not do it justice, even if that’s what it is by definition.  With the highly exclusive invite list overseen by Anna herself, the press coverage second to none, and the accompaniment of some highfalutin theme each year, the Met Gala is sort of what the fashion world recognizes as THEE event.  If you’ve been invited to the Met Gala, that’s one of the most influential authorities in fashion telling you you’ve made it and you’re welcome to now use emojis when texting her.  Or something like that.

Of course, I have become rather cynical toward Vogue over the years as I believe it’s started to warp into a mere celebrity platform with a bit of tabloid flavor.  A bit of that came out in tonight’s red carpet, as well.  Vogue now seems more about staying pop culturally relevant as opposed to remaining the revered fashion authority it has been; more about pimping the names of models with six million or more Instagram followers than celebrating the creativity and innovation of designers and artists around the world.  First came the Kim and Kanye cover of April 2014, then the single special edition devoted entirely to Kendall Jenner, and most recently, a perfectly timed May 2016 Taylor Swift cover that has gone hand in hand with her new “edgy” makeover.  It’s all just in time for the Gala as Swift co-chaired this year, yet I can’t help but feel that the Wintour influence has been unbearably obvious and heavy-handed in her case.  I’m never a fan of a makeover feeling manufactured or manipulated for press or publicity, and I have to say that Taylor Swift’s choice of outfit this year was … well … let’s just say that it looked like a stylist from Charlotte Russe got hold of her as opposed to Nicolas Ghesquiere himself.  I was, admittedly, very disappointed.  I find my feelings toward the Met Gala overall sort of turning in the same direction as my feelings for Vogue- it’s starting to be difficult to take seriously.  However, I don’t want to stop enjoying things I love such as fashion, so I’ll attempt to overlook the Hunger Games Capitol flavor its taken on and just take it for what it is- a fashion show.

So anyhow, the theme of this year’s ball was “Manus x Machina: Fashion In An Age Of Technology”.  Your eyes may have rolled into the back of your head after reading that, but I have to say that very few attendees of this year’s event seemed to stick with the theme or even try to dress to the theme because, after all, how exactly can you dress for a “tech” theme?  Dress like an iPhone?  Accessorize with a fax machine to be ironic?  You could wear a light-up dress as one celebrity did, but even that’s already been done by Katy Perry at a previous year’s Gala.  What we did see were a TON of metallics, a massive trend toward dark and vampy lips, a whole lotta model chicks in Balmain (which I’m super over btw), and just a whole lotta WEIRD in general.  It was perhaps the strangest red carpet I’ve seen in a while.

So here are the looks that I enjoyed the most when considering every element including hair, makeup, and accessories.

Zoe Saldana in Dolce & Gabbana

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Ah yes, there’s my girl Zoe bringing it once again in an insane dress that looks like she’s carrying a jungle with her, complete with birds and palm trees and flowers.  But really, I love this.  This is the kind of statement that I’m looking for.  And I cannot wait for an up-close shot of the skirt so I can see it in full detail.  How it goes with the tech theme I do not know, but like I said earlier, the theme got kind of thrown out this window this year from what I can tell.  With minimal makeup and low-maintenance, Zoe’s look was a win for me.

Kate Bosworth in Dolce & Gabbana

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This was the first dress that I really squealed over.  I love just how much detail is in involved in this gown.  How do you even begin to envision something like this?!  That bodice is exquisite!  And I love the jeweled “floral” headpiece.  It’s a modern rendering of an ancient Etruscan goddess, complete with glowing, angelic skin.  And can someone PLEASE find of what lip color that is?!  I’ll be scrolling through Insta all night trying to find out.

Lupita Nyong’o on Calvin Klein Collection

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Might it be the most ambitious hairdo we’ve ever seen on a red carpet?  Perhaps.  But Lupita has taken an avant-garde turn in fashion that sort of allows her to try whatever and pull it off, even if it’s basically haute couture Cindy Lou-Hoo.  And please take a look at this gown.  It is mesmerizing.  Such a lovely, refreshing color with texture that makes her some kind of beautiful cross between a mermaid and the Empire State building!

Jennifer Connelly in Louis Vuitton

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I chose this look because A) it’s representative of the very casual vibe that many folks went for on this year’s Met Gala red carpet but B) this particular casual look seemed to work out better than others.  And C) because it’s Jennifer Connelly and I’m obsessed with her and I all-too-frequently give her a free pass.  This was one of many, many Louis Vuitton outfits seen tonight too, but I much preferred this look as opposed to say, Selena Gomez’s.  Jennifer’s look feels edgy and elegant until you get to the boots (which are freakin’ tight if you ask me), whereas Selena’s just felt much, much too casual from top to bottom.

Beyonce in Givenchy

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Bey’s eyes are only half open.  I’m thinking she’s just a little tired from waterboarding everyone with lemonade these days, and the fact that she’s currently on tour.  Yeah, she has a show in Raleigh, North Carolina in less than 24 hours.  Bey better take a nap or she’s gonna fall asleep on stage!  But her latex Givenchy dress is pretty rad, I must say.  I like a weird texture on a dress, and I miss all the exaggerated shoulders from five years ago.  I also really love Beyonce’s hair when it’s straight with a center part for some reason.  It is just so pretty.  And I never met a smokey eye I didn’t like, or black manicure I didn’t like.

Emma Stone in Prada

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Is this woman starting to look more and more like Margot Robbie by the minute?  They’re morphing into one person and it’s scaring me.  But I digress.  I liked the overall effect of this, especially with Emma’s new, rich hair color.  I’m not sure why I like it so much; it has the feel of a Roman gladiator which, again, is nowhere near the tech vibe that we were supposed to be going for, but oh well.  It flatters Emma beautifully and I cannot wait for makeup closeups.  Rachel Goodwin is forever and always a makeup genius.

Brie Larson in Proenza Schouler

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I love any dress that looks like it may have taken a billion hours to make, and this is no exception.  I would choose to wear something like this if I were attending the Met Gala, though I’d typically prefer something floor length because when do we normal humans ever get to wear anything floor length besides pants?!  I like that this dress is very feminine and sweet in its silhouette, but the severe hair and makeup keep the look from going in a direction too cloying.  Just the right amount of girly-girl married with futurism.

And there you have it.  I almost wish I had done a “roast post” on all of the other absolutely ridiculous looks we saw this evening, but I feel that’s not my brand.  I’ll mention just a couple stray observations:

  • The Kardashians always look like the Kardashians, and always wear Balmain, all the time.  I feel that I’m completely numb to their effects now.  I always seem to know exactly what they’re going to look like these days.  Even Kanye wearing blue contacts feels blasé.  And will someone please convince him to wear something other than denim?!
  • Madonna’s face looks so painfully stretched that my teeth hurt just looking at her.  I’m making a dental appointment.
  •   “Naked” dresses feel so last year, and yet we still saw way too many of them.
  • Katy Perry is Katy Perry.
  • Sarah Jessica Parker has never looked worse!  That broke my heart.  I have no idea what she was thinking.  I get that she’s SJP, mais quelle horreur!
  • Too much white, too many metallics.
  • Where have all the eyebrows gone?
  • I feel like we have seen Amber Heard in the exact same look before, from head to toe.
  • Naomi Watts looked lovely, but I feel like I’ve also seen her in that same exact look before.
  • Olivia Wilde is really into metallic chokers.
  • Blake Lively always looks like Blake Lively.
  • Idris Elba showed up looking like the living, breathing definition of James Bond, but oh yes, he’s too “street” to take over the role apparently. Smh.

Share with me your thoughts, criticisms, and wailings of lament.  And in the words of Miranda Priestley, “That’s all”.  xo, MR

Stress, Bad Habits, and Olivia Palermo

I have been a worrier since I was a little girl.

When I would find myself under stress as a young child, I remember wrapping my arms around myself and repeating, “It’s okay. It’s okay. It’s okay.”  I constantly talked to myself as a child and performed what felt like little play therapy rituals with toys and dolls; there are still traces of this in me today and it always seems to revolve around hair.  As odd as it may sound, playing with hair is very soothing for me whether it’s my own or someone else’s.

But worry has followed me elsewhere.  My 5th grade teacher once placed a ban on me from approaching her desk and asking her what my grade was; I’d been asking her every day for at least a month after being somewhat traumatized by my first D on a long division math assignment.  I would constantly wonder what my grades were or if I was suddenly failing.  I would do the same with friends; in preschool I incessantly asked my friends if they really liked me, to the point where some of them started to say they didn’t anymore.

In middle school, things got a little weirder when I started picking at myself.  When worry or fear would crowd into my mind, I would pick furiously at my legs, at all the little ingrown hairs.  The picking would leave these all these red bumps, making it look like I’d been attacked by mosquitoes.  In my early college years, I started picking at my hair.  I’d find dry hair strands with broken ends, and I’d snap them off.  I’ve been known to pull at my eyebrows and eyelashes too, especially at my old job where things could get really fast-paced and surprisingly stressful.

A lot of this may sound alarming, but believe it or not, many of these behaviors are very normal and I’ve been working on replacing them with other things like reading a passage, prayer, finding something little to do that I enjoy, and so on.  Obviously the behaviors spike during times of greater anxiety, but in my personal case they can be controlled with a little help and attention.  These things I deal with are more situationally triggered than compulsive problems that really need no trigger.

Please note though that some people struggle with extreme, compulsive versions of these behaviors such as trichotillomania in the case of hair pulling, which is defined as a disorder that involves recurrent, irresistible urges to pull out body hair (not just picking off dead ends in a fit of nerves, but literally pulling out entire patches of hair in a single episode).  Those who suffer from this disorder frequently find themselves with bald patches, or lose all their eyebrows or eyelashes from all the pulling.  Trichotillomania is overwhelming and debilitating.  It requires the help of medical and psychiatric professionals and isn’t merely a symptom of general anxiety; it is a major problem within itself.  I do not suffer from this disorder, but Olivia Munn apparently does.

However, one minor physical manifestation of anxiety that I’ve always struggled with has been biting my nails.

I have always, always been a nail biter.  I bite my nails alone, out to dinner, at work, in the movies, and around friends.  I bite my nails everywhere.  And there has never been a really effective strategy for getting me to stop.  My dad once pulled out his microscope and had me place my nails under it to show me how filthy they were (because everyone’s nails are).  And they were filthy.  And I kept biting.  In college, I once got asked out on a date by a guy in one of my classes; I declined (as I had a boyfriend), we laughed it off on friendly terms, and he said, “Awww. Okay. But hey, you should really stop biting your nails”.  And then he hopped away on his skateboard.

With all the transition that the first half of 2015 brought, you can imagine that all the worrying, picking, and biting came to a fever pitch.  Luckily I had cut my hair off in April so picking at dead ends was not much of a problem.  However, by July, I basically had no nails.  They’d turned into tiny little nubs that began to hurt whenever you’d try to bite them again.  It had to stop, or at least for a little while so I wouldn’t risk giving myself some random infection and so it didn’t sting every time I used soap when I washed my hands.  Enough was enough.

And so I motivated myself to stop biting my nails the only proper way I knew how- by buying a bottle of nail polish designed by Olivia Palermo.

I’ve been awkwardly obsessed with Olivia since seeing her on The City, and even though our styles actually aren’t that similar, I’m a sucker for nearly anything she puts her name to.  So when she debuted three bottles of nail polish for Ciate London this summer after being named their guest creative director for 2015, I felt I might have a solution to my problem.

So that last week of July was my final week of nail biting.  Every time I’d bring my fingers to my mouth, I’d remember that gorgeous bottle of brilliant red polish waiting for me and how badly I wanted a professional manicure for the first time in years (and how I’d paid for that polish and I’d better use it). Moreover, the August and September issues were out, and seeing all the beautiful nail trends had me even more motivated to prep my own nails for the season.

I’m delighted to say that the strategy worked!  And now I get to deal with the annoying upkeep of filing my nails so they don’t tear and then (gasp) snag my hair as I run my fingers through it.  But seriously, I had my first manicure about two weeks ago and wow- my hands had never looked so pretty!  I think I’m used to having nubby little troll hands, so I was extra pleased with how feminine and soft they looked.  The color is Olivia Palermo for Ciate London in Hutch.

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During the times that I’ve kept away from biting for a few weeks, I actually have enjoyed painting my own nails even if it doesn’t happen too often.  I prefer either nudes (as pictured below), or solid, classic colors for impact such as black, white, or a true red like my Palermo polish.  I always do nude on my toes when I go in for the rare pedicure because it actually can make your legs look longer.  I also love a matte topcoat; Butter London makes a good one.  I can also handle a bit of glitter around the holidays; I like chunkier glitter for impact.

What I don’t care for are brights, pinks, acrylics (I’m terrified), French tips, or any elaborate nail art beyond a simple, minimal design like these black tips.  I also don’t like nails to be too long, unless you go for the full Rihanna/Lady Gaga talon look, in which case I’d still go all black but it would probably mean getting acrylics which, again, terrifies me.  This would be about as “talon” as I’d go.  For the most part, I tend to prefer a hybrid square-oval shape (or “soft square” as the manicurist called it).

My favorite colors have come from the drugstore.  Sally Hansen’s Complete Salon Manicure lasts well over a week for me, and she’s had some amazing milky neutral colors that are so modern and flattering.  I wore the second polish from the left on my wedding day; it’s called Malt.  From the left, the others are Pumice, Honeywhip, and Bandage.

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Now that I have my nails back, I know I need to work hard to A) keep them in shape without spending money and B) control my anxious thoughts so I don’t bite them!  This should be a good exercise in seeing the smaller fruits of turning over my thoughts daily, and remembering I can be thankful and have joy instead of giving in to temporary anxiety and destroying new growth in the process.  If you struggle with anxious thoughts, remember that filling your head with worries robs you of too many things- your energy, your joy, your peace … your nails.  You aren’t meant to live that way.  xo, MR