The Best of the Golden Globes 2020

Took a writing vacation! But now it’s a new decade! New awards season! New red carpet! LET’S GOOOOO!

But first, a quick sidenote- I feel like people kind of lost their minds this round. J Lo. Kerry. Rooney. Michelle. GWYNETH. And literally the FIRST time I’ve ever hated what Charlize has worn. There was a whole lotta NO going on and it hurt. Maybe it’s all the very legal weed going around but my take is that folks were feeling a little too … creative? Free? So in comparison, my picks are going to feel awfully safe FYI.

Ana de Armas in Schiaparelli (or is it Ralph and Russo?! Have literally seen both designers named multiple times!)

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Love a sparkle. Love a full gown. Love some navy. Did you know Classic Navy is Pantone’s color of 2020? I’m a fan. Ana’s like the new Penelope Cruz to me. Absolutely cannot WAIT to see her on the press circuit for James Bond next year, and loved her in KNIVES OUT.

 

Margot Robbie in Chanel

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It HaS pOcKeTs!!!! I mean, you know that’s kinda why I love it. But the sequin detailing on the top of this Chanel creation is also super, super gorgeous. I also love the simple silhouette. Margot is always understated with a bit of an edgy sparkle, and I like that I can count on that.

 

Zoey Deutch in Fendi

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If you were bored, now you’re not. This is maybe my favorite color to see on a red carpet-  tropical, canary yellow. I dig the seventies style and the easy feel to this gown, too. It has a lounge vibe, like an extra fancy hostess giving a really groovy party. I would perhaps change her hair styling, but overall I absolutely loved this.

 

Jodie Comer in Mary Katrantzou

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Is the silhouette my favorite? Maybe not. But the color and the texture … come on. You know this emerald shade is more fun than anything else you’re seeing out there. And again, details: pairing it with that yellow feathered clutch was genius, and on other pictures you may notice her hot pink sandals. And I do love that statement sleeves are having a moment.

 

Scarlett Johansson in Dior

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This has really been a heck of a year for Scarlett. Her look at the premiere of AVENGERS: ENDGAME was maybe the best she’s ever looked. I was stunned. But this is another angle for her; it feels so classic movie star. We’ve been watching her for so long in all these comic movies that we’ve sort of forgotten that she’s a truly great actress beyond her catsuit, and she has been for a really long time. This dress speaks to that.

xo, MR

All images credited to Getty Images.

Best of the 2019 Academy Awards

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Wow. Wow! Color! Ruffles! Sequins! Feathers! A sea of pastels! Big risk taking tonight! I’m so impressed! This was one of the better Oscars red carpets in a long while and I’m loving most everything I’m seeing, simply for the fact that everyone jumped on board the fashion train or did something different, even if it didn’t quite pay off (I wasn’t into Charlize’s look for the time in ages, but it’s not like she looks bad because she’s still Charlize). There were a lot of “Why Not?!” moments and I’m living for it.

A note: I feel like the lighting must’ve been bad on the red carpet arrivals this year because most of the photos I’ve found either appear to be too dark and in the shadows, or overly bright and washed out. I don’t edit the photos I find (and I always credit at the bottom, by the way), so know the color and texture of the gowns may not be popping quite as much.

Here we go:

Gemma Chan in Valentino

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A girl’s fantasy. I mean, really. Everybody say it with me … And it has pOcKeTs! I love how Gemma and Michelle Yeoh have spared relatively no ounce of glamour- none. Also, can you imagine how comfortable this dress probably is? No skintight thing you have to wiggle in; which, is a great look in itself, but if you have the choice, by all means go with the massive hot pink sundress that you can hide snacks or a small child in. Makeup by Monika Blunder, hair by Clariss Anya Rubinestein.

Rachel Weisz in Givenchy Couture

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Get weird! Get bright red patent leather mini-cape weird! I found an up-close detail shot of the floral appliqués on Rachel’s dress and it looks beautiful, like a real work of art. The headband with the cape and color lends a sort of Red Riding Hood vibe to the look, and I can’t say I hate it. I’m also just super into Rachel’s hair and makeup lately. Her dark hair color with her brows is such a striking combination and a great makeup canvas. She’s what I like to think I look like when I’m in a really good mood and have just exfoliated or something. Makeup by Kay Montano, hair by Mark Townsend.

Yalitza Aparicio in Rodarte

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Newcomer of the year here! What a beauty, and what a perfect and memorable choice as your first big ceremony dress. I’d started eyeing Yalitza a few months ago when Roma began making the rounds at different festivals and I was like ope … she’s going to be a thing. I wasn’t wrong. And I love a good seafoam green, man- especially when styled with her hair like a shiny, crystal black sheet. Whew. Makeup by Carissa Ferreri, hair by Matilde Campos.

Emma Stone in Louis Vuitton

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Alright so I keep hoping for more color on this gal, but brown– or bronze? copper? – was at least a highly unexpected choice. It suits Emma’s hair and complexion beautifully. And the graphic eye makeup is like, thee thing this year. Lucy Boynton’s had graphic liner all but tattooed on her eyelids this season but I prefer a smokier look using color like we see on Emma. Also, I’m so ready for the bold shoulder looks circa Balenciaga 2008 to come back? The more Judy Jetson, the better. Makeup by Rachel Goodwin, hair by Mara Roszak.

Regina King in Oscar de la Renta

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She’s already won the Oscar for Best Supporting Actress as I write this, but what a perfect look to win in- classically glamorous, looking like the absolute best version of yourself. Which one of us wouldn’t mind wearing this and looking like this? I love a white gown, too; I find white gowns almost more alluring and elegant than black because there’s a striking modernity to them that black can’t quite capture. And Regina’s hair is the haircut of the era- we’ll remember the midlength bob as the definitive cut of the 2000-teens. Makeup by Ashunta Sheriff, hair by Angela Parrantes.

Linda Cardellini in Christian Siriano

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I screamed when I first saw this and yelled, “THANK YOU!” This is your grand “Why Not?!” moment. I feel like “best dressed” and “worst dressed” lists aren’t even relevant here because you clearly don’t care about that- you’re in it for the fun. If it’s available to you, why not wear something this insane? Why not wear something this over the top? Who cares if you look like a cake or an exploding ribbon factory or whatever stuff people will say. You obviously know you’re not exactly going to be able to hide when you walk out in this, so own it. I love it. Also, that bun with the long center-part bangs is just the cutest. Makeup by Hinako, hair by Dave Stanwell.

And … because apparently someone had to be fashionably late and did NOT walk the red carpet … here’s a bootleg shot of Lupita Nyong’O, who surely will make my official list once the full gown appears because FEATHERS DUH:

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Alright now go off: Which were your faves? Who did you miss? LMK! xo, MR

Image credits in order of appearance: Steve Granitz/WireImage, Richard Shotwell/Invision/AP/REX/Shutterstock, Getty Images, Steve Granitz/WireImage, Getty Images, Frazer Harrison/Getty Images, Dan MacMedan-USA TODAY, Instagram @lupitanyongo

Best of the 2019 Golden Globes

Besides the smattering of celeb appearances that have already occurred this week – the Palm Springs Film Festival, Art of Elysium Gala, and BAFTA LA tea party – the Globes are kind of the first real REAL “back to work” moment for a lot of celeb hair/makeup artists and stylists. And I’m always keeping closer tabs on them than the celebs they work on, so cheers to a great 2019 for all the glam teams! Bang up job as always.

I’ll admit I’ve seen pretty much zero of the films and shows nominated for tonight’s awards (well, two movies and two TV shows to be exact) so in case you need any reminders, I am here for the red carpet. Here we go!

1. Anne Hathaway in Elie Saab

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This was just fun to me. The print, the length- and there’s a high slit up the front that makes it super fun! And I love Anne back in a long-term relationship with her long hair. It made me sort of sad that she went through her whole special Les Misérables awards season with her short hair, but oh well- no short hair, no face-melting Fantine moment to earn an Oscar. But here we are now, doing Miranda Priestly very proud I’m sure. Makeup by Beau Nelson, hair by Lacy Redway.

2. Rosamund Pike in Givenchy

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Rosamund’s grandma can officially *not* give her grief for going out without a jacket. She took a jacket with her, Grandma. She’s fine (though her hair may or may not be wet- the other reason grandmas cite as responsible for an early death). Also, love a severe look with severe brows and a severe center part. All about that. Well done. Hair by Bryce Scarlett, makeup by Mélanie Inglessis.

3. Constance Wu in Vera Wang

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So unexpected! Love the nude/orange combination. I anticipate seriously great things from Constance and her team this whole awards season. The whole cast of Crazy Rich Asians, I’m sure, will knock it out of the park (I mean, Michelle Yeoh? Please. Been obsessed since Memoirs of a Geisha). The CRA press and premiere circuits were dazzling just like the film, and I imagine there will be more looks that give a nod and a wink to the movie’s over-the-time opulence. Bring it. Makeup by Molly Greenwald, hair by Marissa Marino.

4. Rachel Weisz in Céline

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At first glance the dress was not my fave (and it’s now the controversial Hedi Slimane at the helm for Céline, who’s managed to justifiably raise some eyebrows with his new … “interpretation” of the brand), but it’s always in the details for me. The delicate Cartier art deco choker, the deep chocolate hair, the strong brow, the blotted lip- the dress brings the little details together in a way that makes sense. Also, it’s really hard to make Rachel Weisz look bad. Hair by Kevin Ryan, makeup unknown.

5. Danai Gurira in Rodarte

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And now for something completely different. I’ve been watching Planet Earth II and I can’t help but be reminded of all the electric-hued tropical birds we see in the jungle when I behold color and texture like this. Or Danai looks like she could jump in the ocean and turn into some sort of beautiful fish. And I loved the contrast of her red-orange with Lupita’s cobalt blue gown. You know I gotta say it … Wakanda forever! Makeup by Tym Buacharern, hair by Larry Sims.

6. Charlize Theron in Dior

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I mean, duh. I promise my inclusion of Charlize on all my lists is never obligatory. I really, truly look forward to her looks probably the most consistently out of anyone (besides Jennifer Connelly, who we barely see these days anyhow). Charlize is such a giant golden goddess Olympian statue that basically anything – avant gardé, classic, glamorous – is executed with perfect ease by herself and her team. I’ve yet to see anything on her (and granted, it’s mostly been Dior) that’s left a bad taste in my mouth. If anything, I’ve felt that her team could perhaps just push the envelope with her a bit (and again, that would probably mean stepping out of the Dior contract). But anyhow, all that to say, yes, I love Charlize’s look. Again. Hair by Adir Abergel, makeup by Kate Lee.

There were so many other gorgeous looks, but I was missing the Margot Robbie magic tonight. Surely we’ll see her soon. Let me know your faves! xo, MR

 

Photo credits in order: Matt Baron/BEI/Shutterstock, Jon Kapoloff/Getty Images, Jon Kapoloff/Getty Images, REX/Shutterstock, Shutterstock, Frazer Harrison/Getty Images

Best Of The 2016 Academy Awards

Alright, kids.  It’s that time!  I think the first thing I should note is that there were so many people missing tonight!  No Lupita Nyong’O, no Jennifer Lopez, no Emma Stone, no Gwyneth Paltrow, no Halle Berry, no Jennifer Aniston, no Amy Adams, no Viola Davis, no Angelina Jolie, no Kate Hudson, no Beyoncé, no Nicole Kidman – and those are just the regulars that I feel we see on most every Oscars red carpet.  So, that kind of bummed me out as I always look forward to seeing what I would classify as the heavy-hitters.  However, there are always the after parties so we’ll see what those bring.

Bear in mind that I take into consideration the entire look when determining my favorites.  This means I like the hair, the jewelry, the makeup, everything (and not just the dress).  So, here are the four from tonight’s Oscars red carpet that I absolutely adored!

Best Fantasy Moment

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So, I’ve seen stuff on the internet about this dress saying things like, “Step away from the glue gun, Cate”, and that it looks too crafty.  Um, I’m sorry, but have you ever made a craft that looks as good as this dress?!  I mean, COME ON.  Cate looks like the epitome of a fairy princess in the best possible way wearing this gorgeous Armani Privé gown.  With her dainty, elven face, gowns like this are a perfect match for her.  Feminine, flowery, and in a shade that I’d describe as robin’s-egg-blue (with crystal details and what looks like little purply bits found in the flower appliqués), this was the first look I saw tonight that made me squeal.  It’s that every-little-girl’s-fantasy kind of dress.  The silhouette is incredibly flattering, too, with the exaggerated shoulders and deep v-neck.  Simple beautiful.

Best Moment of SHUT THE FRONT DOOR YOU IS LOOKIN’ HOT!

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Yeah, Kate Winslet is aging backwards.  I mean, the woman just doesn’t age (though a contract with Lancome does help- Genifique, anyone?).  Her face has evolved into one that evokes Old Hollywood glamour and sophistication, and her red carpet styling always lends itself quite well to that aesthetic.  This particular look, however, took a bit of a sidestep away from the stately sophistication and veered more into HOT MAMA territory.  I mean, wow.  The loose waves coupled with the shiny texture of this Ralph Lauren gown amounts to a look that is at once futuristic/edgy and timeless/simple.  I am crazy about the liquid feel of this silk lame.  And her standing next to Leo?  Twitter just about lost its mind.

Best Moment of Redemption

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Confession- I have felt for a long, long time that the partnership between Jennifer Lawrence and Dior has been a huge mistake.  I just don’t really find that Dior suits Jennifer.  She’s a young, cool girl with an edge of crass to her, and Dior is the pinnacle of ladylike sophistication seen on the likes of statuesque, elegant actresses such as Marion Cotillard and Charlize Theron.  It just doesn’t jive for me, and the gowns and clothes that Dior has had Jennifer wear always seem to end up wearing her instead.

However, tonight was a welcomed exception.  This dress felt cool.  This dress felt edgy.  This dress felt young.  And the overall styling was fantastic.  I love that Jennifer’s been going more platinum with her hair these days.  That icy white platinum look?  Ooh, I love it.  I’d do it myself if I knew my hair wouldn’t literally snap off in heaps after three weeks.  I’d need a bucket of Olaplex to survive.  But anyhow, hats off to the JLaw team tonight.  She looked stunning, and I’m thinking she and Dior may have turned a new corner in their relationship.

Best Moment of Color

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A silhouette like this typically isn’t my favorite because we’ve seen it so much, but for some reason, this outstanding shade of vermillion makes it all okay.  I think it also may be the fact that we never see Charlize in this color.  We’ve seen her look stunning in gold, white, black, and baby pink, but I don’t think we’ve seen her choose serious color for the Academy Awards since 2010 when she wore her lilac bustier gown (which everyone hated but me).

My most favorite look of Charlize’s is actually the forest green Dior gown she wore to the 2006 Oscars, back when John Galliano was still at the helm.  It was so dramatic with that giant bow, and the color was so unexpected.  I guess that’s what I love Charlize for- she can wear absolutely anything, so unusual silhouettes and bright colors are always a delight on her.  And I have to say, if Imperator Furiosa had to walk a red carpet and couldn’t choose to wear black, it may as well be this uncompromising shade of red.  My mom loved it, too!

Other honorable mentions include Naomi Watts’ gown that reminded of the Rainbow Fish, Margot Robbie’s I-am-literally-a-golden-Oscar-statue moment, and Saoirse Ronan’s gorgeous shade of green that made me think of a mermaid.  I also liked the architecture of Olivia Munn’s gown.  Alicia Vikander’s dress was beautiful too, but the whole look was definitely a bit too inspired by Belle, all the way down to the half-bun.  Daisy Ridley’s was pretty but I would’ve preferred a full-length gown, and Julianne’s was nothing special to me.

Rachel McAdams’ was a bit of a yawn for me too, and while Brie Larson’s gown was really pretty her hair styling sort of ruined the look for me.  I’m not much for pulling back hair that way with a flowy gown that has lots of movement.  I would’ve loved to see some loose waves, or contrast the gown with a sleek chignon.  And Rooney Mara has become as predictable as ever!  I don’t expect to ever see her in bright pink or anything like that, but there’s got to be some way of changing things up while sticking to her general elegant-goth aesthetic.

Well that just about wraps it up for me, and now its time to dig for some extra details on the makeup- my very favorite part!  Give me your thoughts and let me know what you think.  And now, it’s time to start the countdown to the Met Ball!  xo, MR

Photo credits in order of appearance to: Jordan Strauss/Invision/AP, Jason Merritt/Getty, George Pimentel/WireImage, and Unknown on Theron image.