Best Of The 2018 SAG Awards

Alright, the color is back in full force this round. I was most, most pleased with this red carpet. Some seriously stunning choices, and of course, I was all the more happy with the incredible hair make makeup styling at this year’s SAG Awards. The glam teams were bringing nothing less than their best work. Here we go!

 

Saoirse Ronan in custom Louis Vuitton-
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I would wear this. I would totally wear this! Such beautiful art deco inspiration I’m seeing here, and such a cheerful shade of pastel, millennial pink. And I do love a modest silhouette contrasted with two marvelous slits up the side. And Saoirse’s (pronounced SER-shuh) minimalist styling is the right choice, as I don’t believe her face is one that could take “a lot” of makeup if you know what I mean. Her features are so delicate and fairylike, and dark or harsh makeup choices would just overwhelm her. Or at least, those are my thoughts. I could proven wrong, though!

 

Mandy Moore in Ralph Lauren-
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This is the kind of look that makes me want to go on vacation. The ease of the strappy silhouette that makes you want to pack a weekend getaway bag, the dreamy shade of shimmery cobalt that makes you want to dive into a perfectly blue pool after sipping on a Mai Tai beneath your cabana …

Think I’m living in the MidWest in the middle of January? Maybe. Just maybe. Some daydreaming problems over here.

But truly, this styling is fabulous and I can’t wait for a closeup of Mandy’s makeup, too, as I’ve detected a bit of aqua on her lower lids. Oooohhh…

 

Olivia Munn in Oscar de la Renta-

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Ohhhhh sequins! Luscious luscious sequins. And beautious floral appliqués. While this is overall a safe choice- and I’ve appreciated Olivia in the past for bolder choices when it would be quite easy for her to ride on her bombshell looks- the center-parted hair that’s like a shiny black sheet combined with the glowy, rosy makeup makes this a win. It might be safe, but it’s so good that the lack of risk doesn’t matter to me. And check those metallic talon nails! Daaaayyyuuuum.

 

Lupita Nyong’O in Ralph and Russo-

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Mmmmm more metallic perfection. And feathers! Who doesn’t appreciate some good bird now? I used to think I’d know that I’ve “made it” by the fact that I was wearing a sequined dress on a red carpet somewhere, but I’ve since changed my mind. I now know that it’s when I’m wearing a dress with feathers on a red carpet somewhere that I’ll know I’ve made it. Feathers are just so extra, so Marie Antoinette. So unnecessary-but-why-wouldn’t-you.

And does Lupita’s skin have a shimmery finish?! I can’t tell, but I have to find out. It’s positively luminous.

 

Brie Larson in Gucci-

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If you’re not wearing Gucci these days, what are you even doing with your life?! I’ll tell you what you’re doing- you’re wearing knockoff Gucci. Like me. From Target. But don’t blame a girl- sequins and details and jewel-encrusted bows and so many colors and eeeeeeeverything you think of when you think of a fantasy dress- that’s Gucci. Remember Nicole Kidman’s green sequined parrot amazingness from last year’s SAG Awards? Yep, Gucci.

Also, digging the stunning shimmery blue shadows on Brie. So lovely, especially on brown eyes. In other news, Captain Marvel allegedly begins production … tomorrow!

And now, for the obvious-yet-still-too-good-to-be-ignored choice …

 

Margot Robbie in Miu Miu-

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Ladies and gentlemen, another round of applause for feathers! See? I’m telling you, they’re quite fetching and irresistible. I can’t tell at this point if this dress is white or a very light shade of blush. I’m thinking the latter when I see it against the red carpet, and oh, how I love a good rosé as my white girl self should.

I’ve noticed that each of Kate Young’s choices for Margot have all had that bit of figure skating extra-ness as a nod to I, Tonya, whether it’s a touch of sparkle or something like a ribbon and feathers to create the movement that’s so important in figure skating outfits. Makes for a fun press tour, no? But I have to note that it’s the hair and makeup team that’ve really astounded me with Margot on this tour of hers- Pati Dubroff and Bryce Scarlett have been absolute heroes with the hair and makeup game. And I don’t care how beautiful she is naturally! Having a team behind you that consistently takes you from plebeian to goddess is irreplaceable as a celebrity, even for someone as pretty as Margot.

Let me know what you think, and do tell me if you think I’ve forgotten anyone especially deserving! Cheers! xo, MR

 

Photo credits in order of appearance: Steve Granitz/WireImage, Frazer Harrison/Getty, John Shearer/Getty, John Salangsang/Shutterstock, Dimitrios Kambouris/Getty, Frazer Harrison/Getty

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Best Of The 2017 SAG Awards

Our next stop during our 2017 awards season brings us here, to the red carpet of the Screen Actor’s Guild Awards.  A glitzy red carpet feels strange and quite off at the moment considering the tumult of this past week, but I invite you to beat back against any frustration, despair, or anxiety you may be dealing with and just enjoy something frivolous and pretty.  My dad frequently quotes Willy Wonka to me- “A little bit of nonsense now and then is cherished by the wisest men.”  Let’s have some nonsense, if just a moment.

And now, to summarize- I have so, so appreciated the noticeable amount of risk-taking and weird-making during this red carpet season.  Gone are the column gowns!  Out of sight are the solids!  I am so pleased with all the sequins, patterns, appliqués, architectural designs, and animals that adorned this year’s SAG Awards’ gowns.  It’s been a good year so far (in this realm, at least).  I can’t wait for the Oscars.  Let’s get started!

Best Mix of Salty and Sweet – Taraji P. Henson in Reem Acra

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This dress is sweet.  It even has little bows!  It’s girly and femme and frothy and magical.  I love this dusty shade of mauve.  Maybe it even has some purple in it?  It’s hard to tell based on all the photos you see because the lighting is so different in nearly every one.  But what I love about this overall look is that Taraji’s hair keeps this Reem Acra dress from drowning us in sugar.  Taraji’s assymetrical bob with shaved sides is the lewk right now.  I had this haircut for about six months (sans shaved sides) and it adds salt to everything you wear, seriously.  Cookie got it done tonight.  And her eyebrows are always fiyahhhh.

Best Maternity Style – Natalie Portman in Dior Couture

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In case you haven’t noticed, Natalie Portman is pregnant.  She’s actually been pregnant during both of her special awards seasons (the previous being for Black Swan in 2011, for which she won a Best Actress Academy Award), and yet I’ve loved this go-round of maternity style so much more than her first.  Of course it might be the constant Jackie O inspiration we’re seeing in her styling lately, but Natalie has looked so regal this month.  She and her stylist Kate Young have chosen gowns that are the epitome of elegance and class.  And a sidenote- statement sleeves like these are going to be major this spring, and the choice of white may have been a nod to suffragettes.

Best Use of Kingdom Animalia – Thandie Newton in Schiaparelli Fall 2016 Couture

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What. A. Fantasy!  I would wear this dress, hands down.  I love the futuristic silhouette and the crazy amount of sparkle.  There are stars, there are birds, there are horses, there are horses that appear to have feathers on their heads (think Cinderella?), and there’s a ferris wheel!  It’s also tea length, which always seems to add a bit of whimsy.  Maybe the word “tea” just makes me feel whimsical.  But anyhow, paired with understated makeup, hair, and nails, Thandie looks incredible.  This dress is a dream.

Best Pleasant Surprise – Sofia Vergara in Zuhair Murad

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I can typically predict what Sofia Vergara will wear on the red carpet: something body-con, perhaps sequined, probably in a solid jewel tone, floor length, with lots of diamonds.  Don’t get me wrong, it’s a formula that you really can’t go wrong with.  Sofia is maybe thee definition of va-va-voom, and her looks always complement that.  However, it was fun to see her in a knee length dress that felt a bit more fresh and youthful than her go-to aesthetic.  Plus, the styling is just so classic- a black tulle skirt with red lips and nails, coupled with a brilliant boustier and, of course, diamonds.

Best Call-Me-Crazy-But-I’m-Obsessed – Nicole Kidman in Gucci

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Ever since Alessandro Michele took over Gucci at the beginning of 2015, the Italian fashion house has done lost its damned mind in the best way EVARRR.  Anyone happen to keep up with the press tour for Suicide Squad?  Remember Margot Robbie’s crazy sequined unicorn dress?  Gucci.  The dress she wore with the tiger on it?  Gucci.  Jared Leto’s pink pants and kelly green coat that made him look like the captain of the Lollipop Guild?  Gucci.

And you know what?  I love it.  I looooove it.  Of course, Michele can play it fairly normal, too (think Brie Larson at last year’s Oscars, Zoe Saldana at this year’s Golden Globes), but I  never want normal on a red carpet.  Ever!  Something like Nicole Kidman’s parrot insanity here is so much more fun, so much more exciting, and so much more worth my time than any tired column dress.  Such dresses always look good- that’s never the problem- but like I’ve said, if you have access to all the fashion in all the world, why not wear parrots on your shoulders every once in a while?  But that’s just me.  xo, MR

 

Photo credits in order of appearance: Rob Latour/Rex/Shutterstock, Rob Latour/Rex/Shutterstock, Dimitrios Kambouris/Getty, Frazer Harrison/Getty Images, Jordan Strauss/Invision/AP

Best Of The 2017 Golden Globes

I’m not sure there could be a better way to kick off a new season of writing after a couple months’ break than the Golden Globes.  After the social media and newsfeed tumult that was 2016, it’s nice to have a bit of fun with good ole’ awards season and a brand new year to go with it.  It’s like hitting the refresh button and everything coming up glitter.

If I had to describe this year’s Golden Globes red carpet in one word it would be finally!  Finally!  I think this is the first red carpet I’ve encountered in years when I saw consistent risk-taking and some truly incredible head-to-toe styling across the board.  Honestly, most everyone looked great in one way or another.  Even the guys were catching my interest!  Donald Glover in that velvet brown suit with the purplish bowtie?!  In the words of Lando Calrissian, hello what have we here.  Of course there were a couple looks that had me wrinkling my nose, but maybe only a handful.  Overall, the stylists and glamsquads killed it this evening!

Before I list my favorites, try to remember once again that I’m not just considering the dresses- I take into account the hair, the makeup, the jewelry, and the accessories as a whole package along with the dress.  Some “weirder” dresses were made perfect to me by the overall styling pulling it together, while other looks were thrown off for me by maybe just one thing like a necklace.

Alright, enough with that.  Here we go!

Best Newcomer That You’ll Continue To See Forever – Ruth Negga in Louis Vuitton

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Ruth Negga has that gamine kind of look that feels like she’s just stepped out of a chic Parisian nightclub in the 1920s.  Her finger-waved hair and gown that reminds me of the Maschinenmensch in Metropolis are adding quite a bit to that vintage vibe, but this look is giving me Wonder Woman feels too (especially with that cuff she’s wearing).  Considering that Ruth is currently on the cover of Vogue and she’ll probably land an Oscar nomination for Loving, I have a feeling she’s about to experience the kind of meteoric rise to fame like Lupita Nyong’O a couple years ago and we’ll be seeing a lot more of her.  This Louis Vuitton gown is not a bad way to start.

Best Throwback To A Bygone Era – Natalie Portman in Prada

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To say this look is “1960s inspired” would be the understatement of the evening.  This is the 1960s; this whole look could’ve come straight off the set of Mad Men or straight out of Jackie O’s closet.  It’s getting a lot of flack on social media, but I love it.  Natalie’s hair is perfect, and the jewelry and makeup and chrome clutch merely adorn the gown rather than distract from it.  I was pleased to see Natalie wearing Prada as we’re so used to seeing her in Dior.  Prada is a little more playful and colorful, but there’s still something understated and regal about this gown (probably because we know who it pays tribute to).

Best Hard-To-Screw-Up Formula – Brie Larson in Rodarte

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A glamorous shade of red.  Shiny, old Hollywood waves.  An incredible, always-flattering sweetheart neckline.  There’s little to be done wrong with a look like this, and I’m learning to appreciate the whole “If it ain’t broke don’t fix it” philosophy when it comes to style.  I knew this gown was Rodarte as soon as I noticed the signature crystals on the bodice, and while it’s not the biggest risk of the evening, who cares?  Brie looks like a Valentine come to life!  This would be a beautiful gown on anyone, but Brie wears it like a dream.

SECOND Best Throwback To A Bygone Era – Drew Barrymore in Monique Lhullier

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I think the history buff in me was going crazy tonight because I felt like so many gowns referred back to various decades in twentieth century America.  Something I love!  Ruth’s touched on the 1920s, Natalie’s embodied the 1960s, and Drew’s gorgeous dress here is a beautiful throwback to the 1930s.  Moreover, any gown that gets me thinking of art deco and architecture in general is a winner in my book.  Check out those sleeves!  There’s also a closeup shot of Drew’s makeup floating around social media and it is glorious.  I might’ve done something different with Drew’s hair; the dress seems to be calling for something that pulls her hair away from her face.  But you know, it looks so healthy and lovely on its own that I don’t care!

Best Weird Dress Completely Redeemed By Perfect Styling – Kerry Washington in Dolce & Gabbana

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Like I’ve said, I like weird dresses that may initially have you going ohhh honey noooooo (or at least scratching your head wondering if you hate it or if it’s magnificent).  However, it’s typically the hair and makeup that rounds out the weirdness of the dress into something I love.  Kerry is good at this- she and her team frequently choose “bad” or “weird” dresses that are then styled into something magical because of a tweak here and there, the right manicure, and an excellent glamsquad.

This is the perfect example.  This Dolce & Gabbana dress is actually floor length on the runway, but the proportions make more sense when the skirt is shortened.  Thanks to strappy sandals and see-through lace, this dress actually elongates Kerry when a floor length dress with capsleeves typically shortens the one wearing it.  The bodice and sleeves are very ornate and complicated, but when you pair it with perfectly smooth, dark hair tossed behind the shoulders, the look seems balanced.  A nude manicure and a complete lack of jewelry aside from a simple pair of earrings allows the elaborately detailed gown to show off without being too much on Kerry.  Top it off with the perfect, purply-brown lip color and she is wearing the dress, not vice versa.  And suddenly, a dress that would normally have me giving the side eye has me ooh-ing and aah-ing.  That’s what stylists do!

Let me know your thoughts!  Any folks you thought looked absolutely stunning?  Any dresses have you dazed and confused?  Do tell, and next stop- the SAG Awards!  xo, MR

 

Photo credits in order of appearance:  Jordan Strauss for Invision via Associated Press, Getty Images, Rex via Shutterstock, Rob Latour for Rex via Shutterstock, Steve Granitz for WireImage

Best Of The Met Gala 2016

And once again, Anna Wintour has thrown me an early birthday party and forgotten to invite me.  It’s really just getting obnoxious at this point.  I guess I’ll have to return her hostess gift- a bottle of two-buck Chuck and a Target candle.  Your loss, Anna.

And in case you, dear reader, need a brief review on what exactly the Met Gala is, here is the quickest definition I can give you- the Met Gala is an annual fundraising gala hosted by Anna Wintour (editor in chief of Vogue, in case that was needed) for my birthday the benefit of the Metropolitan Museum of Art’s Costume Institute in New York City.  It celebrates the opening of that year’s Costume Institute exhibit too, which remains open for a couple months, but the main purpose of the Gala is to fund that exhibit.  So, yes, what this whole thing boils down to at the most fundamental level is, more or less, a fundraiser.

But of course, we all know that’s not really what it is in its essence.  The Met Gala is not just a fundraiser.  I don’t think any of us can picture Beyonce showing up to a country club for a dinner of chicken, rice pilaf, and veggie medley, and then merrily writing a check for $100 after a PowerPoint presentation and a bit of pinot noir in a disposable wine glass. No, to call the Met Gala a fundraiser really does not do it justice, even if that’s what it is by definition.  With the highly exclusive invite list overseen by Anna herself, the press coverage second to none, and the accompaniment of some highfalutin theme each year, the Met Gala is sort of what the fashion world recognizes as THEE event.  If you’ve been invited to the Met Gala, that’s one of the most influential authorities in fashion telling you you’ve made it and you’re welcome to now use emojis when texting her.  Or something like that.

Of course, I have become rather cynical toward Vogue over the years as I believe it’s started to warp into a mere celebrity platform with a bit of tabloid flavor.  A bit of that came out in tonight’s red carpet, as well.  Vogue now seems more about staying pop culturally relevant as opposed to remaining the revered fashion authority it has been; more about pimping the names of models with six million or more Instagram followers than celebrating the creativity and innovation of designers and artists around the world.  First came the Kim and Kanye cover of April 2014, then the single special edition devoted entirely to Kendall Jenner, and most recently, a perfectly timed May 2016 Taylor Swift cover that has gone hand in hand with her new “edgy” makeover.  It’s all just in time for the Gala as Swift co-chaired this year, yet I can’t help but feel that the Wintour influence has been unbearably obvious and heavy-handed in her case.  I’m never a fan of a makeover feeling manufactured or manipulated for press or publicity, and I have to say that Taylor Swift’s choice of outfit this year was … well … let’s just say that it looked like a stylist from Charlotte Russe got hold of her as opposed to Nicolas Ghesquiere himself.  I was, admittedly, very disappointed.  I find my feelings toward the Met Gala overall sort of turning in the same direction as my feelings for Vogue- it’s starting to be difficult to take seriously.  However, I don’t want to stop enjoying things I love such as fashion, so I’ll attempt to overlook the Hunger Games Capitol flavor its taken on and just take it for what it is- a fashion show.

So anyhow, the theme of this year’s ball was “Manus x Machina: Fashion In An Age Of Technology”.  Your eyes may have rolled into the back of your head after reading that, but I have to say that very few attendees of this year’s event seemed to stick with the theme or even try to dress to the theme because, after all, how exactly can you dress for a “tech” theme?  Dress like an iPhone?  Accessorize with a fax machine to be ironic?  You could wear a light-up dress as one celebrity did, but even that’s already been done by Katy Perry at a previous year’s Gala.  What we did see were a TON of metallics, a massive trend toward dark and vampy lips, a whole lotta model chicks in Balmain (which I’m super over btw), and just a whole lotta WEIRD in general.  It was perhaps the strangest red carpet I’ve seen in a while.

So here are the looks that I enjoyed the most when considering every element including hair, makeup, and accessories.

Zoe Saldana in Dolce & Gabbana

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Ah yes, there’s my girl Zoe bringing it once again in an insane dress that looks like she’s carrying a jungle with her, complete with birds and palm trees and flowers.  But really, I love this.  This is the kind of statement that I’m looking for.  And I cannot wait for an up-close shot of the skirt so I can see it in full detail.  How it goes with the tech theme I do not know, but like I said earlier, the theme got kind of thrown out this window this year from what I can tell.  With minimal makeup and low-maintenance, Zoe’s look was a win for me.

Kate Bosworth in Dolce & Gabbana

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This was the first dress that I really squealed over.  I love just how much detail is in involved in this gown.  How do you even begin to envision something like this?!  That bodice is exquisite!  And I love the jeweled “floral” headpiece.  It’s a modern rendering of an ancient Etruscan goddess, complete with glowing, angelic skin.  And can someone PLEASE find of what lip color that is?!  I’ll be scrolling through Insta all night trying to find out.

Lupita Nyong’o on Calvin Klein Collection

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Might it be the most ambitious hairdo we’ve ever seen on a red carpet?  Perhaps.  But Lupita has taken an avant-garde turn in fashion that sort of allows her to try whatever and pull it off, even if it’s basically haute couture Cindy Lou-Hoo.  And please take a look at this gown.  It is mesmerizing.  Such a lovely, refreshing color with texture that makes her some kind of beautiful cross between a mermaid and the Empire State building!

Jennifer Connelly in Louis Vuitton

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I chose this look because A) it’s representative of the very casual vibe that many folks went for on this year’s Met Gala red carpet but B) this particular casual look seemed to work out better than others.  And C) because it’s Jennifer Connelly and I’m obsessed with her and I all-too-frequently give her a free pass.  This was one of many, many Louis Vuitton outfits seen tonight too, but I much preferred this look as opposed to say, Selena Gomez’s.  Jennifer’s look feels edgy and elegant until you get to the boots (which are freakin’ tight if you ask me), whereas Selena’s just felt much, much too casual from top to bottom.

Beyonce in Givenchy

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Bey’s eyes are only half open.  I’m thinking she’s just a little tired from waterboarding everyone with lemonade these days, and the fact that she’s currently on tour.  Yeah, she has a show in Raleigh, North Carolina in less than 24 hours.  Bey better take a nap or she’s gonna fall asleep on stage!  But her latex Givenchy dress is pretty rad, I must say.  I like a weird texture on a dress, and I miss all the exaggerated shoulders from five years ago.  I also really love Beyonce’s hair when it’s straight with a center part for some reason.  It is just so pretty.  And I never met a smokey eye I didn’t like, or black manicure I didn’t like.

Emma Stone in Prada

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Is this woman starting to look more and more like Margot Robbie by the minute?  They’re morphing into one person and it’s scaring me.  But I digress.  I liked the overall effect of this, especially with Emma’s new, rich hair color.  I’m not sure why I like it so much; it has the feel of a Roman gladiator which, again, is nowhere near the tech vibe that we were supposed to be going for, but oh well.  It flatters Emma beautifully and I cannot wait for makeup closeups.  Rachel Goodwin is forever and always a makeup genius.

Brie Larson in Proenza Schouler

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I love any dress that looks like it may have taken a billion hours to make, and this is no exception.  I would choose to wear something like this if I were attending the Met Gala, though I’d typically prefer something floor length because when do we normal humans ever get to wear anything floor length besides pants?!  I like that this dress is very feminine and sweet in its silhouette, but the severe hair and makeup keep the look from going in a direction too cloying.  Just the right amount of girly-girl married with futurism.

And there you have it.  I almost wish I had done a “roast post” on all of the other absolutely ridiculous looks we saw this evening, but I feel that’s not my brand.  I’ll mention just a couple stray observations:

  • The Kardashians always look like the Kardashians, and always wear Balmain, all the time.  I feel that I’m completely numb to their effects now.  I always seem to know exactly what they’re going to look like these days.  Even Kanye wearing blue contacts feels blasé.  And will someone please convince him to wear something other than denim?!
  • Madonna’s face looks so painfully stretched that my teeth hurt just looking at her.  I’m making a dental appointment.
  •   “Naked” dresses feel so last year, and yet we still saw way too many of them.
  • Katy Perry is Katy Perry.
  • Sarah Jessica Parker has never looked worse!  That broke my heart.  I have no idea what she was thinking.  I get that she’s SJP, mais quelle horreur!
  • Too much white, too many metallics.
  • Where have all the eyebrows gone?
  • I feel like we have seen Amber Heard in the exact same look before, from head to toe.
  • Naomi Watts looked lovely, but I feel like I’ve also seen her in that same exact look before.
  • Olivia Wilde is really into metallic chokers.
  • Blake Lively always looks like Blake Lively.
  • Idris Elba showed up looking like the living, breathing definition of James Bond, but oh yes, he’s too “street” to take over the role apparently. Smh.

Share with me your thoughts, criticisms, and wailings of lament.  And in the words of Miranda Priestley, “That’s all”.  xo, MR

Best Of The 2016 Academy Awards

Alright, kids.  It’s that time!  I think the first thing I should note is that there were so many people missing tonight!  No Lupita Nyong’O, no Jennifer Lopez, no Emma Stone, no Gwyneth Paltrow, no Halle Berry, no Jennifer Aniston, no Amy Adams, no Viola Davis, no Angelina Jolie, no Kate Hudson, no Beyoncé, no Nicole Kidman – and those are just the regulars that I feel we see on most every Oscars red carpet.  So, that kind of bummed me out as I always look forward to seeing what I would classify as the heavy-hitters.  However, there are always the after parties so we’ll see what those bring.

Bear in mind that I take into consideration the entire look when determining my favorites.  This means I like the hair, the jewelry, the makeup, everything (and not just the dress).  So, here are the four from tonight’s Oscars red carpet that I absolutely adored!

Best Fantasy Moment

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So, I’ve seen stuff on the internet about this dress saying things like, “Step away from the glue gun, Cate”, and that it looks too crafty.  Um, I’m sorry, but have you ever made a craft that looks as good as this dress?!  I mean, COME ON.  Cate looks like the epitome of a fairy princess in the best possible way wearing this gorgeous Armani Privé gown.  With her dainty, elven face, gowns like this are a perfect match for her.  Feminine, flowery, and in a shade that I’d describe as robin’s-egg-blue (with crystal details and what looks like little purply bits found in the flower appliqués), this was the first look I saw tonight that made me squeal.  It’s that every-little-girl’s-fantasy kind of dress.  The silhouette is incredibly flattering, too, with the exaggerated shoulders and deep v-neck.  Simple beautiful.

Best Moment of SHUT THE FRONT DOOR YOU IS LOOKIN’ HOT!

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Yeah, Kate Winslet is aging backwards.  I mean, the woman just doesn’t age (though a contract with Lancome does help- Genifique, anyone?).  Her face has evolved into one that evokes Old Hollywood glamour and sophistication, and her red carpet styling always lends itself quite well to that aesthetic.  This particular look, however, took a bit of a sidestep away from the stately sophistication and veered more into HOT MAMA territory.  I mean, wow.  The loose waves coupled with the shiny texture of this Ralph Lauren gown amounts to a look that is at once futuristic/edgy and timeless/simple.  I am crazy about the liquid feel of this silk lame.  And her standing next to Leo?  Twitter just about lost its mind.

Best Moment of Redemption

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Confession- I have felt for a long, long time that the partnership between Jennifer Lawrence and Dior has been a huge mistake.  I just don’t really find that Dior suits Jennifer.  She’s a young, cool girl with an edge of crass to her, and Dior is the pinnacle of ladylike sophistication seen on the likes of statuesque, elegant actresses such as Marion Cotillard and Charlize Theron.  It just doesn’t jive for me, and the gowns and clothes that Dior has had Jennifer wear always seem to end up wearing her instead.

However, tonight was a welcomed exception.  This dress felt cool.  This dress felt edgy.  This dress felt young.  And the overall styling was fantastic.  I love that Jennifer’s been going more platinum with her hair these days.  That icy white platinum look?  Ooh, I love it.  I’d do it myself if I knew my hair wouldn’t literally snap off in heaps after three weeks.  I’d need a bucket of Olaplex to survive.  But anyhow, hats off to the JLaw team tonight.  She looked stunning, and I’m thinking she and Dior may have turned a new corner in their relationship.

Best Moment of Color

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A silhouette like this typically isn’t my favorite because we’ve seen it so much, but for some reason, this outstanding shade of vermillion makes it all okay.  I think it also may be the fact that we never see Charlize in this color.  We’ve seen her look stunning in gold, white, black, and baby pink, but I don’t think we’ve seen her choose serious color for the Academy Awards since 2010 when she wore her lilac bustier gown (which everyone hated but me).

My most favorite look of Charlize’s is actually the forest green Dior gown she wore to the 2006 Oscars, back when John Galliano was still at the helm.  It was so dramatic with that giant bow, and the color was so unexpected.  I guess that’s what I love Charlize for- she can wear absolutely anything, so unusual silhouettes and bright colors are always a delight on her.  And I have to say, if Imperator Furiosa had to walk a red carpet and couldn’t choose to wear black, it may as well be this uncompromising shade of red.  My mom loved it, too!

Other honorable mentions include Naomi Watts’ gown that reminded of the Rainbow Fish, Margot Robbie’s I-am-literally-a-golden-Oscar-statue moment, and Saoirse Ronan’s gorgeous shade of green that made me think of a mermaid.  I also liked the architecture of Olivia Munn’s gown.  Alicia Vikander’s dress was beautiful too, but the whole look was definitely a bit too inspired by Belle, all the way down to the half-bun.  Daisy Ridley’s was pretty but I would’ve preferred a full-length gown, and Julianne’s was nothing special to me.

Rachel McAdams’ was a bit of a yawn for me too, and while Brie Larson’s gown was really pretty her hair styling sort of ruined the look for me.  I’m not much for pulling back hair that way with a flowy gown that has lots of movement.  I would’ve loved to see some loose waves, or contrast the gown with a sleek chignon.  And Rooney Mara has become as predictable as ever!  I don’t expect to ever see her in bright pink or anything like that, but there’s got to be some way of changing things up while sticking to her general elegant-goth aesthetic.

Well that just about wraps it up for me, and now its time to dig for some extra details on the makeup- my very favorite part!  Give me your thoughts and let me know what you think.  And now, it’s time to start the countdown to the Met Ball!  xo, MR

Photo credits in order of appearance to: Jordan Strauss/Invision/AP, Jason Merritt/Getty, George Pimentel/WireImage, and Unknown on Theron image.