Will Blog For Eyeshadow

It’s been a while, but that’s okay. Busyness and work leave little time for blogging. However, my eyes are never too busy to miss the awesomeness that shows up on the red carpet in the form of seriously bonkers eyeshadow. I mean it people- this holiday season, PLEASE stay away from the neutral tones. If it’s Christmas and I see you wearing basic eyeshadow, I might get mad. ‘Tis the season to be purple. At the very least.

Let’s take a tour of possibilities, all of which have occurred within the last two months.

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Dark, navy eyeshadow is my fave. I mean it. If I could do my wedding all over again, I’d wear a mermaid silhouette and do a smoky navy eye. My preference is a matte finish over a sparkly one, but who cares. You can thank Carol Gonzalez for this magnificent job well done on Kerry Washington. My guess is she used a Pat McGrath Labs palette.

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I feel like the only eyeshadow color we see less than green is canary yellow. Yellow – not gold – is so under-appreciated! Pati Dubroff created this look on Margot Robbie using a couple MAC products, including Chromaline gel/cream shadow in Primary Yellow. I love that it’s applied all the way up to Margot’s brow for a really modern take.

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Jennifer Connelly is another example of the wonders of blue eyeshadow. It’s not just for pageant girls, people! And it comes in an infinite variety of tones. Kay Montano used a  silvery-but-vivid blue on Jennifer’s inner eyelids here, with what look like purple tones on the outer lid and around the rim. I love how her nearly blue-black hair makes the blue shadow stand out even more, especially with the dress. Coupled with the brows and everything else left bare, we’ve got perfection.

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Winged eyeshadow! Nothing says, “My allegiance lies with Imperator Furiosa” quite like winged, black eyeshadow. This is one of my favorite likes to try and recreate on myself, personally. I love looks that feel strong and ferocious like this, especially when paired with sleek hair. Jillian Dempsey has consistently turned out a killer smoky eye, typically on Kristen Stewart. This turned out perfectly; the blending is smooth as a milkshake.

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And because you know smoky eyes are pretty much my kryptonite … here’s another one! Georgie Eisdell managed to pull off what’s probably the most flawless version of the iconic look I’ve ever seen. I mean, ever. This is the makeup I’d die in. There’s such an incredible depth to Elizabeth’s shadow, with what could be four different shades used. Georgie used exclusively Chanel products to create this look. She doesn’t name which eyeshadow palette it is, and it might be one that hasn’t come on the market yet. Nevertheless, I’ve been searching like a crazy person.

What do you plan to do this year for holiday makeup? Any palettes or products you plan to try? Let me know in the comments! xo, MR

 

Photo credits by order of appearance and all are user Instagram handles: @carolagmakeup, @patidubroff, @kaymontano, @jilliandempsey, @georgieeisdell

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Best Of The Met Gala 2017

And tonight, once again, we witness Kardashian & Kompany turn out of for fashion’s most garish, most opulent night- Anna Wintour’s annual Met Gala.

Of course, we always hope to see more than just Kendall and Kylie competing for highest slit in a sequined gown, but in recent years that’s sort of what’s happened to this event.  The themes continue to remain quite highfalutin, but the guests and what they choose to wear and try to accomplish have seemed to wane in sophistication as of late.  The Met Gala used to appeal to me as the very height of fashion on parade, the epitome of bougie-ness and unattainable class.  Now it’s got more of a who’s-who-of-Snapchat flavor.  But that’s what makes a celebrity these days I guess, and the times have undeniably changed.

The theme of this year’s Met exhibit is “Rei Kawakubo/Commes des Garçons: Art of the In-Between”.  To make it clear, the exhibit is honoring revolutionary female Japanese designer and founder of Commes des Garçons, Rei Kawakubo.  Her designs are known for being high concept, visually stunning, architecturally forward, and typically weird.  And I mean really weird.  Her craft is the definition of avant-garde.  Kawakubo’s work has never seemed to be about making a flattering dress or celebrating the woman’s body as it is with some designers.  It has seemed her work is more about her.  “Pretty” isn’t what she goes for. Or at least, your definition of pretty.  Give her a rule, and she’ll break it.  The woman does what she wants, and so she has forged for herself a formidable career.  To read more about her exhibit and see more of her work (and trust me- you want to), check out this Harper’s Bazaar article.

So what can we expect with tonight’s looks?  Well, based on the theme, we can expect weird.  And that’s good!  Although, I wouldn’t have pulled a Solange Knowles and shown up in a puffer coat.  But we’ll get to see what many celebrities define as “weird” or at least a little off the wall.   A ball honoring Rei Kawakubo demands something far beyond the boundaries of a column gown.  As always, my same rules apply when choosing favorites: dress/outfit, hair, makeup, and accessories must all work beautifully in tandem.

Most This-Is-What-I-Would-Do – Rose Byrne in Ralph Lauren 

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I talk a big talk when it comes to the Met Ball, but I know I probably wouldn’t be brave enough to actually wear one of Rei Kawakubo’s designs.  Because they’re Charlie Sheen levels of crazy.  However, this I can do.  I like the wild hairdo.  I love the architectural neckline of this dress in this bright shade of true red.  I like the artsy jewelry.  And the makeup is beautiful.  This, I can do.

Most Not-On-Theme-But-Still-Fabulous – Jennifer Lopez in Valentinojennifer-lopez-met-gala-2017-ftr-1

Paging Betty Draper!  Or Meghan Draper.  Or Joan!  Or all of them at once!  Anything that makes me think of Mad Men is more than fine with me.  The powder shade of blue, the chiffon, the cape, the high neckline, the incredible jewelry, and obviously the hair and makeup made this a stunner look straight out of the sixties.  And thank you, J.Lo, for abstaining from a naked dress!

Best Model That Didn’t Try To Just Look Like A Model – Lily Aldridge in Ralph Lauren Custom Collection

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Even though none of my favorites have worn Commes des Garçons (yet…), I still appreciate models like Lily for taking a risk and clearly pushing boundaries with the intent of paying homage to the design house’s outlandish creations.  It’s interesting to see a lot of Ralph Lauren at this event; that’s a designer I would’ve guessed as too safe for the Met Gala.  But the accessories and styling of this white gown have kept it from just looking like another skin-baring dress on a model.  I love Lily’s crazy red boots (Balenciaga) and her fuchsia blush netting that she’s wearing across her face.  Her makeup is also spectacular.  I saw a lot of incredible makeup this evening regardless of what folks were wearing, with this being a particular favorite …

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Now that is eyeshadow fit for the gods.  Alright, now for my last pick …

Best Fantasy Moment – Zendaya in Dolce & Gabbana

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This woman is such a chameleon.  She wears anything she wants, and she does anything with her hair that she wants.  It’s so evident that she loves fashion, and I love watching that.  Her hair and makeup are gorgeous, and I already such a huge affinity for parrots- this is the dress of my dreams.

Most Perfectly-On-Theme-And-Still-Fabulous – Rihanna in Commes des Garçons

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Ok, finally we have someone that interprets this year’s theme literally and wears Commes des Garçons!  And of course it’s Rihanna.  I love that she’s always such a team player when it comes to the Met Ball themes.  Remember when she wore this insanity for China: Through The Looking Glass?!  That gown was the creation of a legendary Chinese designer and there was no better opportunity to wear it.  That’s what you’re supposed to do at the Met Ball.  So yes, this dress … or outfit, whatever we’re calling it … is perfect for a Met Gala dedicated to Kawakubo.  It’s one of her own creations, it’s a breathtaking-if-not-baffling work of art, it’s weird, and it’s Rihanna, who doesn’t seem to mind weird.  And be sure to search close-up shots of her makeup.  It’s incredible.  Perfect.

There’s lots to still sort through from tonight’s extravaganza, but other honorable mentions go to: Dakota Johnson in some excellent Gucci, Kate Bosworth in Tory Burch that looked dangerously similar to Dakota Johnson’s Gucci, Jennifer Connelly in Louis Vuitton (because DUH I’m obsessed with her), Elle Fanning in some very Cinderella Miu Miu, Doutzen Kroes looking natural and relaxed in Brock Collection, Ruth Negga in a very avant-garde cape thingy, and Lupita Nyong’O in a gorgeous shade of orange.

Let me know what you think, if things got weird enough for you, or if they just couldn’t get weird enough.  Anything goes at this party.  But you know who didn’t go to this party?  Taylor Swift.  xo, MR

Photo credits in order of appearance: Instagram, Rex/Shutterstock, Rex/Shutterstock, Instagram, Getty, Getty/John Shearer

Best Of The 2017 Golden Globes

I’m not sure there could be a better way to kick off a new season of writing after a couple months’ break than the Golden Globes.  After the social media and newsfeed tumult that was 2016, it’s nice to have a bit of fun with good ole’ awards season and a brand new year to go with it.  It’s like hitting the refresh button and everything coming up glitter.

If I had to describe this year’s Golden Globes red carpet in one word it would be finally!  Finally!  I think this is the first red carpet I’ve encountered in years when I saw consistent risk-taking and some truly incredible head-to-toe styling across the board.  Honestly, most everyone looked great in one way or another.  Even the guys were catching my interest!  Donald Glover in that velvet brown suit with the purplish bowtie?!  In the words of Lando Calrissian, hello what have we here.  Of course there were a couple looks that had me wrinkling my nose, but maybe only a handful.  Overall, the stylists and glamsquads killed it this evening!

Before I list my favorites, try to remember once again that I’m not just considering the dresses- I take into account the hair, the makeup, the jewelry, and the accessories as a whole package along with the dress.  Some “weirder” dresses were made perfect to me by the overall styling pulling it together, while other looks were thrown off for me by maybe just one thing like a necklace.

Alright, enough with that.  Here we go!

Best Newcomer That You’ll Continue To See Forever – Ruth Negga in Louis Vuitton

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Ruth Negga has that gamine kind of look that feels like she’s just stepped out of a chic Parisian nightclub in the 1920s.  Her finger-waved hair and gown that reminds me of the Maschinenmensch in Metropolis are adding quite a bit to that vintage vibe, but this look is giving me Wonder Woman feels too (especially with that cuff she’s wearing).  Considering that Ruth is currently on the cover of Vogue and she’ll probably land an Oscar nomination for Loving, I have a feeling she’s about to experience the kind of meteoric rise to fame like Lupita Nyong’O a couple years ago and we’ll be seeing a lot more of her.  This Louis Vuitton gown is not a bad way to start.

Best Throwback To A Bygone Era – Natalie Portman in Prada

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To say this look is “1960s inspired” would be the understatement of the evening.  This is the 1960s; this whole look could’ve come straight off the set of Mad Men or straight out of Jackie O’s closet.  It’s getting a lot of flack on social media, but I love it.  Natalie’s hair is perfect, and the jewelry and makeup and chrome clutch merely adorn the gown rather than distract from it.  I was pleased to see Natalie wearing Prada as we’re so used to seeing her in Dior.  Prada is a little more playful and colorful, but there’s still something understated and regal about this gown (probably because we know who it pays tribute to).

Best Hard-To-Screw-Up Formula – Brie Larson in Rodarte

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A glamorous shade of red.  Shiny, old Hollywood waves.  An incredible, always-flattering sweetheart neckline.  There’s little to be done wrong with a look like this, and I’m learning to appreciate the whole “If it ain’t broke don’t fix it” philosophy when it comes to style.  I knew this gown was Rodarte as soon as I noticed the signature crystals on the bodice, and while it’s not the biggest risk of the evening, who cares?  Brie looks like a Valentine come to life!  This would be a beautiful gown on anyone, but Brie wears it like a dream.

SECOND Best Throwback To A Bygone Era – Drew Barrymore in Monique Lhullier

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I think the history buff in me was going crazy tonight because I felt like so many gowns referred back to various decades in twentieth century America.  Something I love!  Ruth’s touched on the 1920s, Natalie’s embodied the 1960s, and Drew’s gorgeous dress here is a beautiful throwback to the 1930s.  Moreover, any gown that gets me thinking of art deco and architecture in general is a winner in my book.  Check out those sleeves!  There’s also a closeup shot of Drew’s makeup floating around social media and it is glorious.  I might’ve done something different with Drew’s hair; the dress seems to be calling for something that pulls her hair away from her face.  But you know, it looks so healthy and lovely on its own that I don’t care!

Best Weird Dress Completely Redeemed By Perfect Styling – Kerry Washington in Dolce & Gabbana

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Like I’ve said, I like weird dresses that may initially have you going ohhh honey noooooo (or at least scratching your head wondering if you hate it or if it’s magnificent).  However, it’s typically the hair and makeup that rounds out the weirdness of the dress into something I love.  Kerry is good at this- she and her team frequently choose “bad” or “weird” dresses that are then styled into something magical because of a tweak here and there, the right manicure, and an excellent glamsquad.

This is the perfect example.  This Dolce & Gabbana dress is actually floor length on the runway, but the proportions make more sense when the skirt is shortened.  Thanks to strappy sandals and see-through lace, this dress actually elongates Kerry when a floor length dress with capsleeves typically shortens the one wearing it.  The bodice and sleeves are very ornate and complicated, but when you pair it with perfectly smooth, dark hair tossed behind the shoulders, the look seems balanced.  A nude manicure and a complete lack of jewelry aside from a simple pair of earrings allows the elaborately detailed gown to show off without being too much on Kerry.  Top it off with the perfect, purply-brown lip color and she is wearing the dress, not vice versa.  And suddenly, a dress that would normally have me giving the side eye has me ooh-ing and aah-ing.  That’s what stylists do!

Let me know your thoughts!  Any folks you thought looked absolutely stunning?  Any dresses have you dazed and confused?  Do tell, and next stop- the SAG Awards!  xo, MR

 

Photo credits in order of appearance:  Jordan Strauss for Invision via Associated Press, Getty Images, Rex via Shutterstock, Rob Latour for Rex via Shutterstock, Steve Granitz for WireImage

Best Of The Met Gala 2016

And once again, Anna Wintour has thrown me an early birthday party and forgotten to invite me.  It’s really just getting obnoxious at this point.  I guess I’ll have to return her hostess gift- a bottle of two-buck Chuck and a Target candle.  Your loss, Anna.

And in case you, dear reader, need a brief review on what exactly the Met Gala is, here is the quickest definition I can give you- the Met Gala is an annual fundraising gala hosted by Anna Wintour (editor in chief of Vogue, in case that was needed) for my birthday the benefit of the Metropolitan Museum of Art’s Costume Institute in New York City.  It celebrates the opening of that year’s Costume Institute exhibit too, which remains open for a couple months, but the main purpose of the Gala is to fund that exhibit.  So, yes, what this whole thing boils down to at the most fundamental level is, more or less, a fundraiser.

But of course, we all know that’s not really what it is in its essence.  The Met Gala is not just a fundraiser.  I don’t think any of us can picture Beyonce showing up to a country club for a dinner of chicken, rice pilaf, and veggie medley, and then merrily writing a check for $100 after a PowerPoint presentation and a bit of pinot noir in a disposable wine glass. No, to call the Met Gala a fundraiser really does not do it justice, even if that’s what it is by definition.  With the highly exclusive invite list overseen by Anna herself, the press coverage second to none, and the accompaniment of some highfalutin theme each year, the Met Gala is sort of what the fashion world recognizes as THEE event.  If you’ve been invited to the Met Gala, that’s one of the most influential authorities in fashion telling you you’ve made it and you’re welcome to now use emojis when texting her.  Or something like that.

Of course, I have become rather cynical toward Vogue over the years as I believe it’s started to warp into a mere celebrity platform with a bit of tabloid flavor.  A bit of that came out in tonight’s red carpet, as well.  Vogue now seems more about staying pop culturally relevant as opposed to remaining the revered fashion authority it has been; more about pimping the names of models with six million or more Instagram followers than celebrating the creativity and innovation of designers and artists around the world.  First came the Kim and Kanye cover of April 2014, then the single special edition devoted entirely to Kendall Jenner, and most recently, a perfectly timed May 2016 Taylor Swift cover that has gone hand in hand with her new “edgy” makeover.  It’s all just in time for the Gala as Swift co-chaired this year, yet I can’t help but feel that the Wintour influence has been unbearably obvious and heavy-handed in her case.  I’m never a fan of a makeover feeling manufactured or manipulated for press or publicity, and I have to say that Taylor Swift’s choice of outfit this year was … well … let’s just say that it looked like a stylist from Charlotte Russe got hold of her as opposed to Nicolas Ghesquiere himself.  I was, admittedly, very disappointed.  I find my feelings toward the Met Gala overall sort of turning in the same direction as my feelings for Vogue- it’s starting to be difficult to take seriously.  However, I don’t want to stop enjoying things I love such as fashion, so I’ll attempt to overlook the Hunger Games Capitol flavor its taken on and just take it for what it is- a fashion show.

So anyhow, the theme of this year’s ball was “Manus x Machina: Fashion In An Age Of Technology”.  Your eyes may have rolled into the back of your head after reading that, but I have to say that very few attendees of this year’s event seemed to stick with the theme or even try to dress to the theme because, after all, how exactly can you dress for a “tech” theme?  Dress like an iPhone?  Accessorize with a fax machine to be ironic?  You could wear a light-up dress as one celebrity did, but even that’s already been done by Katy Perry at a previous year’s Gala.  What we did see were a TON of metallics, a massive trend toward dark and vampy lips, a whole lotta model chicks in Balmain (which I’m super over btw), and just a whole lotta WEIRD in general.  It was perhaps the strangest red carpet I’ve seen in a while.

So here are the looks that I enjoyed the most when considering every element including hair, makeup, and accessories.

Zoe Saldana in Dolce & Gabbana

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Ah yes, there’s my girl Zoe bringing it once again in an insane dress that looks like she’s carrying a jungle with her, complete with birds and palm trees and flowers.  But really, I love this.  This is the kind of statement that I’m looking for.  And I cannot wait for an up-close shot of the skirt so I can see it in full detail.  How it goes with the tech theme I do not know, but like I said earlier, the theme got kind of thrown out this window this year from what I can tell.  With minimal makeup and low-maintenance, Zoe’s look was a win for me.

Kate Bosworth in Dolce & Gabbana

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This was the first dress that I really squealed over.  I love just how much detail is in involved in this gown.  How do you even begin to envision something like this?!  That bodice is exquisite!  And I love the jeweled “floral” headpiece.  It’s a modern rendering of an ancient Etruscan goddess, complete with glowing, angelic skin.  And can someone PLEASE find of what lip color that is?!  I’ll be scrolling through Insta all night trying to find out.

Lupita Nyong’o on Calvin Klein Collection

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Might it be the most ambitious hairdo we’ve ever seen on a red carpet?  Perhaps.  But Lupita has taken an avant-garde turn in fashion that sort of allows her to try whatever and pull it off, even if it’s basically haute couture Cindy Lou-Hoo.  And please take a look at this gown.  It is mesmerizing.  Such a lovely, refreshing color with texture that makes her some kind of beautiful cross between a mermaid and the Empire State building!

Jennifer Connelly in Louis Vuitton

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I chose this look because A) it’s representative of the very casual vibe that many folks went for on this year’s Met Gala red carpet but B) this particular casual look seemed to work out better than others.  And C) because it’s Jennifer Connelly and I’m obsessed with her and I all-too-frequently give her a free pass.  This was one of many, many Louis Vuitton outfits seen tonight too, but I much preferred this look as opposed to say, Selena Gomez’s.  Jennifer’s look feels edgy and elegant until you get to the boots (which are freakin’ tight if you ask me), whereas Selena’s just felt much, much too casual from top to bottom.

Beyonce in Givenchy

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Bey’s eyes are only half open.  I’m thinking she’s just a little tired from waterboarding everyone with lemonade these days, and the fact that she’s currently on tour.  Yeah, she has a show in Raleigh, North Carolina in less than 24 hours.  Bey better take a nap or she’s gonna fall asleep on stage!  But her latex Givenchy dress is pretty rad, I must say.  I like a weird texture on a dress, and I miss all the exaggerated shoulders from five years ago.  I also really love Beyonce’s hair when it’s straight with a center part for some reason.  It is just so pretty.  And I never met a smokey eye I didn’t like, or black manicure I didn’t like.

Emma Stone in Prada

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Is this woman starting to look more and more like Margot Robbie by the minute?  They’re morphing into one person and it’s scaring me.  But I digress.  I liked the overall effect of this, especially with Emma’s new, rich hair color.  I’m not sure why I like it so much; it has the feel of a Roman gladiator which, again, is nowhere near the tech vibe that we were supposed to be going for, but oh well.  It flatters Emma beautifully and I cannot wait for makeup closeups.  Rachel Goodwin is forever and always a makeup genius.

Brie Larson in Proenza Schouler

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I love any dress that looks like it may have taken a billion hours to make, and this is no exception.  I would choose to wear something like this if I were attending the Met Gala, though I’d typically prefer something floor length because when do we normal humans ever get to wear anything floor length besides pants?!  I like that this dress is very feminine and sweet in its silhouette, but the severe hair and makeup keep the look from going in a direction too cloying.  Just the right amount of girly-girl married with futurism.

And there you have it.  I almost wish I had done a “roast post” on all of the other absolutely ridiculous looks we saw this evening, but I feel that’s not my brand.  I’ll mention just a couple stray observations:

  • The Kardashians always look like the Kardashians, and always wear Balmain, all the time.  I feel that I’m completely numb to their effects now.  I always seem to know exactly what they’re going to look like these days.  Even Kanye wearing blue contacts feels blasé.  And will someone please convince him to wear something other than denim?!
  • Madonna’s face looks so painfully stretched that my teeth hurt just looking at her.  I’m making a dental appointment.
  •   “Naked” dresses feel so last year, and yet we still saw way too many of them.
  • Katy Perry is Katy Perry.
  • Sarah Jessica Parker has never looked worse!  That broke my heart.  I have no idea what she was thinking.  I get that she’s SJP, mais quelle horreur!
  • Too much white, too many metallics.
  • Where have all the eyebrows gone?
  • I feel like we have seen Amber Heard in the exact same look before, from head to toe.
  • Naomi Watts looked lovely, but I feel like I’ve also seen her in that same exact look before.
  • Olivia Wilde is really into metallic chokers.
  • Blake Lively always looks like Blake Lively.
  • Idris Elba showed up looking like the living, breathing definition of James Bond, but oh yes, he’s too “street” to take over the role apparently. Smh.

Share with me your thoughts, criticisms, and wailings of lament.  And in the words of Miranda Priestley, “That’s all”.  xo, MR

Winter Makeup Inspiration

So, if you follow me in my various social media outlets, you know the SAG Awards were a relative disappointment to me.  I think my favorite dress honestly may have been Brie Larson’s thanks to its unexpected details, but beyond that, I was considerably underwhelmed.  Again.  However, what the SAG Awards were lacking in dresses, the month of January certainly made up for in awesome celebrity makeup.

This is the kind of makeup that I find so inspiring, mostly because it actually seems accessible and real and like something I could repeat on myself.  I love makeup that is still beautiful but doesn’t exist for the sake of itself, and doesn’t insist on completely transforming its subject.  Ironically, red carpet celebrity makeup is much less intimidating to me than anything like what I see on YouTube or Instagram with all the palettes and powders and contour creams, however fun that all may be.

So the following three looks are ones that had me gasping and reaching for my own makeup brushes this past month.  The subjects all happen to look extremely alike, so you’ll need to forgive me for my unintentional-but-glaringly-obvious lack of diversity in this post.  However, it is beautiful makeup nonetheless, and I think everyone can appreciate that.

Kristen Stewart at the 2016 Sundance Film Festival premiere of “Certain Women”

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K-Stew is my jam when it comes to a smokey eye.  She frequently wears a smokey eye and it seems to fit her supposedly moody disposition (though this smile would say otherwise), but I absolutely love the look and am always thinking of either her or Keira Knightley when trying to replicate it on myself.  Friends know this tends to be my go-to look when I really want to “do my makeup” – a smokey, smudged-out eye paired with little else, hence the nearly-bare lips.  Good stuff.  And just yesterday, Kristen was announced as the new face of Chanel cosmetics so I’m pretty sure we have a lot more smokey awesomeness coming down the pipeline.

Makeup artist Jamie Greenberg was responsible for this look, and you can check out her blog for the exact routine and products she used on Kristen (which are almost all Chanel, of course).  And what a fun surprise- Greenberg used Burt’s Bees Lip Crayon in Sedona Sands on her lips.  That little guy is sitting in my makeup bag at this very moment!  I knew that paired well with tons of eyeliner.

Alicia Vikander at the 2016 SAG Awards

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This is the kind of makeup we call “timeless”.  Makeup like this, on any skin tone, on any woman, for any occasion, will never not be beautiful.  Look like this at Prom, look like this on your wedding day, look like this at work – it will never be an issue.  I know it helps to have otherworldly skin like Vikander, but honestly, even if you have acne or some type of skin insecurity, the color features of this look will still work for you.  Yes, they will.  Why?  Because it sticks with the very best strategies for flattering anyone’s features- a rosy-ish lip that looks like it’s just come in from the cold, glittering eyes surrounded by an earth-toned shimmer, full, voluminous lashes, groomed eyebrows, and gently sun-kissed skin.  Even if you don’t have pristine skin (and I’m sure a bit of makeup was involved in giving that illusion, too), your features will still be nothing but enhanced with makeup like this.  You would just vary the choice of shades depending on your skintone.

Charlotte Tilbury created this look to complement Alicia’s stunning Louis Vuitton sequined gown.  The Australian edition of PopSugar did a full feature on the look here, complete with a run-down of every single product used.  Remember that the prices for the mentioned products are translated into Australian dollars, so they don’t cost quite that much stateside.

Natalie Portman at the New York City premiere of “Jane Got A Gun”

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Good ol’ Natalie Portman.  I think the first high-end product I ever purchased as a teen was Stila’s lipstick that they’d made just for her back in the day, appropriately named Natalie.  It was sheer, a berry color with purple-ish undertones from what I remember.  Of course it’s now discontinued and who knows what happened to mine, but I remember thinking as a fifteen-year-old girl that I would finally look like Padme once I got my hands on that lipstick.  Padme isn’t exactly the worst film character to look like, but her choices are pretty questionable and I’m not sure how much the lipstick actually helped my cause.  I managed to date someone similar in character to Anakin Skywalker, so I guess the goal was met?  Minus the whole awesome space opera part that made it actually worth it?

Fast forward some ten-odd years later and here’s Natalie again, still looking gorgeous as ever with a deep, crimson lip.  There’s something so fragile and feminine about Portman’s features that makes a dramatic lip stand out on her in ways that may not be the case with others.  I love her nearly porcelain skin here.  When I try to let my skin lose its color, I find it doesn’t give off a Snow White etherealness so much as it does a yellow-green Tales from the Crypt vibe.  It’s all about those undertones, man.  They’ll get ya.

As the face of Dior beauty, you can count on every product used here on Natalie to be Dior.  Lipstick Lifestyle did a great feature on the whole look recounting all of makeup artist Pati Dubroff’s steps.  I’m eyeing the eyeshadow and liner duo used that’s to be released as part of Dior’s spring makeup collection, but I’m certain it’ll be a little out of my reasonable price range (especially considering my lame empties challenge, which I guess I’m continuing with indefinitely).  I’ll just need to shop what I own.

And now I’m looking forward to seeing what beauty awesomeness (and hopefully gown awesomeness) the Oscars will hold for us.  Hopefully there’s some Leo awesomeness involved in that, too, because if there isn’t there will probably be some type of bear-attacking-you-in-nineteenth-century-Canadian-wilderness hell to pay.  xo, MR

Image credits (in order of appearance) to: Vanity Fair, Getty Images, Mike Coppola for Getty Images

Best of the 2013 Golden Globes … you know you want to.

Disclaimer:  This post is about fashion.  While my aim is to keep this a beauty blog, every once in a while (read: AWARDS SEASON), you’ve gotta talk about the stuff we wear that’s not on our face.  Cool?  Cool.

Confession- I’ve been bored by the red carpet showings these past years.  So few people seem to take real risks these days, but I suppose not every person who shows up on a red carpet does it with the intent of taking a risk and I can understand that.  It’s just what I happen to value the most on such occasions.  As much as I’m into beauty, I’m also into fashion, and I’m not necessarily into it just for the sake of finding something that looks good on me.  I’m into fashion for the sake of fashion, and I love clothes for themselves and not exclusively for how they look on a body.

You know that whole phrase, “You should be wearing the clothes.  The clothes should not be wearing you”?  Well, I’m not always in agreement with that.  Sometimes clothing is about displaying a piece of art or making a statement, and it won’t always be in the form of a sexy, figure-flattering little black dress (and in fact, skin and body-hugging silhouettes are rarely a true necessity).  Sometimes folks might even call what you’re wearing “ugly”, say they don’t “get it”, and not a single guy will find it attractive.  And who cares?  If something is worn with conviction, no matter how “conceptual” it may be, just roll with it and enjoy the clothing for itself.  And this is what I so desire to see on a red carpet … gorgeous styling with immaculate makeup and hair, sure … but to top it off, an incredible dress that stands out on its own.  I’ll probably never walk a red carpet, and so I’ve often thought about how if I ever got the chance to do so, I wouldn’t want to waste any time on something safe.  And come on, it’s a little hard to be impressed by anything after this happening in 2010.  This what I’m talking about.

So, here are my favorites from the 2013 Golden Globes last night.  Some are obvious, some are not.  But I will say that I’m still waiting for a true jaw-dropper, which I haven’t had in a couple years.  I’m crossing my fingers for this awards season!

#1 The obvious answer for “Best Dressed”

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From everything I’ve been reading all day, it’s been clear that Jessica Alba was a true winner last night.  Brad Goreski styled her in a coral Oscar de la Renta gown with a jaw-dropping diamond necklace, but the other details of this look were what got me.  The coral-red clutch covered in feathers keeps the whole look young and fun, and her hair and makeup are perfect.  The orange lip is the way to go this spring, and I’d be lying if I said I wasn’t excited about it.

#2 The not-so-obvious answer for “Best Dressed”

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This woman does not care about conventions.  At all.  And I love her for it.  And you can definitely tell she’s French, where no one else cares about conventions either.  Marion Cotillard (in Dior Haute Couture) wears what she wants and, as I was previously discussing, clearly loves clothing for what it is (and not simply for how it makes her look).  And the extras, including the grey nails, leopard-print clutch, orange heels, and sleek hair, all add up to something so forward. It’s stuff like this that gets me more excited for Fashion Month next month, and you can kind of tell that she is too.

#3  The one that made me scream, “THAT’S WHAT I’VE BEEN WAITING FOR!!!!”

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Seriously!  Gowns like this can take cahones, and I’ve got mad respect for those who wear them.  I remember a year or so ago when Sarah Michelle Gellar got trashed for wearing this dress, and man, just because you want to live your whole life in the same ole’ basic black dress doesn’t mean you get to push around the ones who actually take a risk like Lucy Liu and Sarah.  If I’d had access to every dress on Earth for my wedding and I’d felt stronger about stepping away from traditional white gowns, something like this Carolina Herrera gown would’ve been a strong contender.  Not kidding.

#4  These kicked butt, too.

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Kerry Washington in Miu Miu and Rachel Weisz in Louis Vuitton both had me squealing, as well.  I haven’t been a huge fan of Kerry’s straight hairstyle with the blunt bangs lately, but she still looked beautiful.  And I kind of can’t get enough of glamorous retro waves that give a nod to Veronica Lake, so you know I’m crazy about Rachel’s tresses.

#5  And the one where I might lose you all …

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Now, before you officially drop me as a source of any legitimate information or opinion,  just look at this picture.  Look at the coloring of the dress, that frothy shade of seafoam, and look at her hair.  Look at her makeup and the shade of rose on her lips.  The diamonds on her ears and on the cuff she wore can be taken into account, too.  Now, let me ask you- Is this not divine?  I am convinced that the only thing detracting at all from this look being one of the absolute best of the night is the loose fit on top that by now has been seen and trashed by EVERYONE.  And let’s be clear- Jessica’s bewbs do not need a lift.  It’s the dress that drapes and hangs somewhat low, which gives us the unfortunate illusion of an unflattering fit.  But I will defend this and say that this color is breathtaking on Jessica Chastain, and her hair and makeup are glorious.  The dress has a clear 1930’s silhouette, but it just didn’t work out.  But I don’t mind it!  She looks like an old Hollywood Calvin Klein-wearing mermaid!!

Oh, and who were the worst dressed?  The rest.  The rest were boring.  xo, MR